In Rob Zombie’s first bastardization of the Halloween franchise, we’re told that Michael is so intent on going home that he’s willing to do anything to get there and is perfectly willing to remain unresponsive to psychological help. We’re also told that he’s completely emotionless and cold to just about everyone. And yet here we are with “Halloween II” where we get to see how cute and affectionate he is with his mother. This is further proof that Zombie just doesn’t know what the hell he’s doing ninety percent of the time. How can we ever expect to see a good movie from this man again if the story he’s telling is inconsistent? Seeming to have no other option these days, Zombie continues chucking rotten eggs our way from the contrived “Halloween II” (I refuse to call it H2) right down to the awful animated mess that was “El Superbeasto.”
Tag Archives: Horror
Zombieland (2009)
It’s been precisely five years since the UK tossed “Shaun of the Dead” in to the American shores and so successful was it with fans that most of America’s directors (both independent and mainstream) have tried anxiously to deliver what the “Spaced” clan have. Along the way the after effect of the movie brought us some good clones (Fido) and some just purely awful (The Mad) and the quest to create our own version of what Edgar Wright gave us hasn’t ended, not by a long shot. So here we are again five years later and we finally have a movie that works along “Shaun of the Dead’s” tone while paving its own signature in the horror comedy subgenre.
Jennifer’s Body (2009)
At this moment and time I’m still not sure what I thought of “Jennifer’s Body.” I mean it has its high points but in the end I was left completely unimpressed and just all around apathetic to what I’d seen. For one thing I enjoyed “Jennifer’s Body” more when it was called “Ginger Snaps.” Director Kusama’s story of two sister-like friends (who find themselves in a supernatural situation that’s bigger than themselves one of whom is a freak while the other friend is a looker) has already been covered and with much more effective storytelling to boot. That being said, “Jennifer’s Body” is definitely not the worst movie I’ve ever seen, it’s just not going to re-invent the wheel.
Boogeyman 2 (2007)
If you recall, the original “Boogeyman” was a steaming pile that seemed to put up so much effort for an end product that would ultimately mean nothing, and this is because of the phenomenally bad writing that took the interesting concept and went nowhere fast. What “Boogeyman 2” does is take the typical route and makes all the obvious moves: It becomes a slasher movie, one that basically follows in continuity with the first without reminding us too much how much it stunk. Call me an apologist, proclaim my taste as being awful, but “Boogeyman 2” isn’t so bad. Sure it’s far from perfect but what it lacks in originality and scares it makes up for in creativity and hitting most of the right chords as a slasher film… and yes some of the performances manage to be pretty decent in the meanwhile.
Trick 'r Treat (2007)
Inspired by Michael Dougherty’s short horror film “Season’s Greetings,” our favorite trick or treater Sam returns to remind us of the further tricks he has up his sleeve as Dougherty introduces a film comprised of interwoven sub-plots a la “Go” (where everyone is out for the occasion but only a select few experience the true heinous clutch of Halloween evil) along with the comic book format in the vein of “Creepshow” where we’re bombarded with comic panels of what’s to come .
Season's Greetings (1996)
Back in the late nineties to early millennium there was a series on the Science Fiction channel here in America called “Exposure,” it was a fantastic take on a mini film festival by taking experienced indie directors and showing off some of the best and worst short films they could dole out to the audience. In the meantime we also were able to see early works from legendary filmmakers in Hollywood. “Season’s Greetings” was one of the best I’ve ever seen.
Upstairs (2006)
Writer-Director Mark Howell’s short is one of the finest examples of short horror cinema I’ve seen in a while. He wastes no time in explaining his characters to us, leaves our experience completely ambiguous and also leaves me wanting a sequel. When a young couple happen upon a house being sold in a seemingly mundane neighborhood, they decide to buy it under the house’s value and are talked in to the purchase by a content realtor who seems to know the house’s ins and outs as the new buyers prepare to move.