Tag Archives: Indie Film

Interview with “Brightwood” Director Dane Elcar

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Recently, we reviewed the indie horror film “Brightwood,” a stirring mix of horror, science fiction, and relationship drama about a couple who go jogging and find themselves trapped on a trail to nowhere. “Brightwood” is a debut feature from director by filmmaker Dane Elcar, who based his film on a short he directed in 2018. The film has been on the festival route lately, winning Best Sci-Fi Feature at Another Hole in the Head, Best Editing (and runner up for Best Director, Actor and Supporting Actor) at HorrorHound, and will now screening as part of both Panic Fest and Salem Horror Festival later this month.

Mr. Elcar took time out to talk to us about his first feature film, and what inspired such a bizarre genre film.

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Martha (2019)

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Director Christopher Haydon’s short film is both a compelling drama, and a rather captivating mystery. In its own way it’s a horror movie, but more a horror movie about loneliness, isolation, and repetition. The entirety of “Martha” is meant to be cryptic, as Haydon begins the film on a single scene of a woman sitting in a hall with a single red balloon.

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Attack of the Doc! (2023)

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After the short lived resurgence of G4 TV in 2021, old school fans of the channel were brought back to the more magical days where the channel influenced pop culture. I was once upon a time a big fan of not only G4 TV, but of “Attack of the Show!” From 2007 to 2011, I would watch every single episode of “Attack of the Show!” and would even make a big occasion of their epic Comic Con coverage. While many fans of the channel and series know full well what happened to G4 and why it fell, “Attack of the Doc!” is a niche documentary with a tale that deserves to be told.

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Brightwood (2022)

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The definition of insanity is doing the same things over and over and expecting different results. While “Brightwood” is in essence a horror movie, deep down it’s a movie about a toxic relationship. The couple we meet in Dane Elcar’s horror film are stuck in an endless circle of pain, abuse, and infidelity. By coincidence one fateful day, they find themselves stuck in an endless time loop near a pond. The setting for “Brightwood” comes off as very unassuming, but director Elcar manages to really inject a sense of terror within this scenic pond. The moment both characters realize that they’re probably stuck in this endless circle, it pits them against one another.

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Kalley’s Last Review (2020)

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Man, Julia Bailey Johnson’s short horror film “Kalley’s Last Review” is gruesome. I mean it’s not just gruesome, but it’s also a sharp edged commentary on influencer culture and review channels on youtube. It’s kind of like watching someone just gradually descend in to madness, and while you really want to stop them, you can only just sit and watch them slide further.

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Last Call (2022)

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There’s a lot of head scratching moments during director Becca Kozak’s horror comedy “Last Call,” and that’s both a good thing and a band thing. Director Kozak definitely relies on not really leaning on expectations, but that leads us down a bizarre narrative that I, frankly, wasn’t too clear on. It’s unpredictable, and weird, which is a plus. But I couldn’t quite understand to what end our villains were working toward.

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The End of the Squirrel (2022)

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Death is inevitable. And it’s not too often we can stare it in the eyes and welcome it with open arms. “The End of the Squirrel” is a refreshing, kind of heartbreaking take on the zombie apocalypse, where everything goes wrong and its heroes simply… accept their fates, once and for all. They’ve done everything they could do, and now it’s a matter of how they go out.

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