Going Nowhere (2022)

One of the things that being a filmmaker does is it grants you the ability to know the true hardships of really making a film. For an indie filmmaker, simply getting your work out there is not just a labor of love, but it is laborious in and of itself. “Going Nowhere” is thankfully one of the many very good indie productions about making movies. Izzy Shill’s feature film debut is a meta-mock documentary about the struggles that come with getting a movie finished. Along the way she also tackles ideas about human relationships, getting the perfect message across with your film, and the impostor syndrome.

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Superman Awakens (2023)

Antonis and Stavros Fylladitis’s short fan film “Superman Awakens” is an absolute accomplishment. It’s only four minutes in length but it conveys a very interesting and intriguing story that is complimented by the massive animation. Rather than attempt a live action film, “Superman Awakens” is animated through CGI, created with Unreal Engine 5 using Lumen technology, and tells the tale of a Superman that has lost it all and is trying to find a reason to keep going.

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Interview with “Brightwood” Director Dane Elcar

Recently, we reviewed the indie horror film “Brightwood,” a stirring mix of horror, science fiction, and relationship drama about a couple who go jogging and find themselves trapped on a trail to nowhere. “Brightwood” is a debut feature from director by filmmaker Dane Elcar, who based his film on a short he directed in 2018. The film has been on the festival route lately, winning Best Sci-Fi Feature at Another Hole in the Head, Best Editing (and runner up for Best Director, Actor and Supporting Actor) at HorrorHound, and will now screening as part of both Panic Fest and Salem Horror Festival later this month.

Mr. Elcar took time out to talk to us about his first feature film, and what inspired such a bizarre genre film.

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Martha (2019)

Director Christopher Haydon’s short film is both a compelling drama, and a rather captivating mystery. In its own way it’s a horror movie, but more a horror movie about loneliness, isolation, and repetition. The entirety of “Martha” is meant to be cryptic, as Haydon begins the film on a single scene of a woman sitting in a hall with a single red balloon.

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Attack of the Doc! (2023)

After the short lived resurgence of G4 TV in 2021, old school fans of the channel were brought back to the more magical days where the channel influenced pop culture. I was once upon a time a big fan of not only G4 TV, but of “Attack of the Show!” From 2007 to 2011, I would watch every single episode of “Attack of the Show!” and would even make a big occasion of their epic Comic Con coverage. While many fans of the channel and series know full well what happened to G4 and why it fell, “Attack of the Doc!” is a niche documentary with a tale that deserves to be told.

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Brightwood (2022)

The definition of insanity is doing the same things over and over and expecting different results. While “Brightwood” is in essence a horror movie, deep down it’s a movie about a toxic relationship. The couple we meet in Dane Elcar’s horror film are stuck in an endless circle of pain, abuse, and infidelity. By coincidence one fateful day, they find themselves stuck in an endless time loop near a pond. The setting for “Brightwood” comes off as very unassuming, but director Elcar manages to really inject a sense of terror within this scenic pond. The moment both characters realize that they’re probably stuck in this endless circle, it pits them against one another.

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Kalley’s Last Review (2020)

Man, Julia Bailey Johnson’s short horror film “Kalley’s Last Review” is gruesome. I mean it’s not just gruesome, but it’s also a sharp edged commentary on influencer culture and review channels on youtube. It’s kind of like watching someone just gradually descend in to madness, and while you really want to stop them, you can only just sit and watch them slide further.

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