One of the big sensations of the youtube age are Mukbangs: where people or a person sits on in front of a camera to eat food for the audience. Sometimes they’re usually discussing an issue or completing a challenge, but most times the attraction is watching someone eating food. “Mukbang,” from ACM Official, is a great twist on this formula that takes this trend and turns it in to a bonafide tale of horror.
Tag Archives: Indie Film
VHS Massacre Too (2020)
“VHS Massacre” was one of many looks back at the golden age of VHS and how physical media is dying in the age of streaming. Thomas Edward Seymour produced a very good and insightful glimpse at a time where the death of physical media seemed imminent. So it feels only logical that he’d follow it up with a further look in to the death of physical media. The problem though is that “VHS Massacre Too” is a less focused and somewhat confused successor that never quite knows what it’s trying to tell its audience.
The Chromakey Man (2022) [CINEJOY 2023]
Success or the potential for success can be a harrowing prospect for any artist, especially when they’re faced with the specter of impostor syndrome. Told through a unique avenue, “Chromakey Man” is a pretty insightful look in to a man facing inevitable success in a field he’s been struggling in for years. The problem is he has to face whether or not he’s ready for that success, and that becomes an inner conflict for him.
Wayback (2020) [CINEJOY 2023]
Director and Animator Carlos Salgado’s “Wayback” is most appreciated as an experience more than a narrative feature and that’s fine. “Wayback” is a stellar and beautiful animated science fiction short that implements computer animation to unfold a tale about exploration and trying to save an alien world.
The Good, The Bad, and the Buggy (2023) [CINEJOY 2023]
I can’t say that “The Good, The Bad, and the Buggy” works as a short film, so much as a potential sketch for a web comedy. It’s a funny and cute sort of short film about parents being about as petty as humanly possible. One thing that hinders “The Good, The Bad and the Buggy” is that there isn’t any actual extrapolation as to why these parents are feuding with each other.
Space Race (2022) [CINEJOY 2023]
There’s nothing better than an inventive animated film that makes the most out of simple elements. Director and Writer Shane Dioneda’s animated short “Space Race” isn’t just a great, inspired space adventure, but it really feels like something that would have come out of the age when ATOM Films was a presence on the web (with a dash of Aardman for good measure). I mean that as the utmost compliment.
On The Line (2023) [CINEJOY 2023]
I have a great respect for what Director-Writer Oliver Pearn pulls off with “On the Line.” It’s a competently directed and well constructed thriller that takes its low budget and implements it to create genuine atmosphere. Sadly, I wish I liked it more than I did, mainly because I wasn’t invested in the core mystery that fuels his drama thriller. Fans of audio dramas will especially be fond of how the movie enhances the narrative by depending more on the delivery of its voice cast, encouraging us to envision what’s unfolding rather than showing.