Tommy Lee Jones plays Lt. Bonham, an ex agent who is now a guard for a nature society tracking animals and stopping poachers and illegal hunters. After two hunters are found gutted, Bonham is called back into duty by an old colleague who needs his help to track the killer, Aaron Hallman, an ex-agent who has begun killing hunters in the forest, brutally gutting them without mercy. Bonham instantly goes into action and begins tracking Hallman making way for a really cool fight scene at the top of the film as the two duke it out in the forest. Director Friedkin manages to direct a very dark and interesting thriller with some good camera work and smooth editing, plus he knows how to create tension and surprises.
Tag Archives: Martial Arts
The Medallion (2003)
Taking its cue from “Golden Child” and just about every other fantasy film, a young child, a “chosen one” is chosen to guard the medallion, cue candles, a temple, and guards who are supposed to protect a lethal weapon but are knocked out with a tap on the head, also, cue spooky British villain Snakehead who plans to steal the medallion for immortality, but first he reads from a book at the very start of the film introducing the concept of the medallion in a low spooky British voice: “Every so and so, a child from so and so, is chosen to do so and so, to protect the medallion!” The term “immortality” is hard to define in this film; if you take one half of the medallion you can’t be killed.
Charlie's Angels: Full Throttle (2003)
This loud messy film was just as bad as the original, and possibly worse for wasting great actors. This hour and a half messy, loud, clumsy and clunky cartoonish action flick pulls a double dose of terrible with a plotline so predictable it might have come off the show. In an attempt to retrieve some magical rings which hold information, the angels must confront an evil ex-angel Madison Lee who betrays the Charlie the talking box and wants to corrupt the agency. Now the girls must confront her henchman before Madison discovers the identity of every client under the government’s witness protection program. Perhaps if approached more seriously and perhaps if given three leads who could actually act, we’d probably had seen a decent action flick. The three leads ham it up, and look as if they’ve been on Ritalin acting like a bunch of bubble headed numbskulls.
Shanghai Knights (2003)
The numbskull duo from the bland action yarn “Shanghai Noon” return for yet another vehicle sequel “Shanghai Knights.” I was not a fan of the original film, I thought it was yet another bland vehicle for Wilson and Chan who seem to only be charismatic and funny when paired with a complete opposite. This sequel didn’t prove to be anything new or innovative as well; it was just an endless sequence of comedic dialogue, fight scene, comedic dialogue, fight scene, and so on, so it’s obvious I felt jumbled by the sloppy story and cheap plot devices.
Underworld (2003)
In this horror action film directed by Len Wiseman, Kate Beckinsale plays Selene, a warrior and assassin for a vampire clan who is on the hunt for a young doctor named Michael Corvin who bears an unknown gift, but now the vampire clan is at war with a rival clan of Lycans (werewolves) who are intent in crossing the young man over to their side; but soon Selene and Michael begin falling in love as the war intensifies and must choose between their family or love. I remember when I went to the theaters to check this out; I had ten dollar bill in my hand and I had to choose between “Cabin Fever” or this. I inevitably made a decision that I would soon live to regret for all my days as I chose “Cabin Fever” hoping I’d come across a horror gem, I really wish I would have chosen this instead.
The League of Extraordinary Gentlemen (2003)
Loosely based on the critically acclaimed comic book from critically acclaimed author Alan Moore, “LXG” tells the tale of Allan Quartmain, an aging adventurer in 1899 who is called upon by a mysterious man named M who enlists him and six other super-powered beings whose powers are parallel to legendry literary characters who must fight a warlord called “The Phantom” who plans to take over the world. Alan Moore presents an idea and concept so ingenious and brilliant, I was stunned upon hearing of it. Take some of the most famous heroes and villains in literary history and turn them into superheroes. What turns up as the end result is a guilty pleasure that kept me entertained all the way through.
The Transporter (2002)
I started off enjoying this film, but by the second half I began to notice something: I was zoning out. Why would I zone out? Simply because the second half is rushed, contrived, and boring. The film started off as a really awesome sleek and stylish piece of action, but then started to head off into such a predictable route. The entire second half begins to feel so tacked on and meaningless that I immediately began losing interest. It wasn’t hard to notice the shoddy fight choreography where we can see Statham pulling his punches on the stuntman with his slow fight maneuvers. I tried to ignore it but soon knew that I’d seen better fighting in a Van Damne flick, and that’s pretty pathetic.