“He may not be Superman, but he’ll be a living symbol of what this country stands for!”
One thing I found most inexplicable about Albert Pyun’s 1990 “Captain America” adaptation is the curious presence of the cast of “A Christmas Story.” Either, they were in town for a press junket, or Pyun just loves the movie, because they appear throughout the film. Melinda Dillon has a walk on role as Steve Rogers’ mom who gives him a memento to take to the war with him, while Darren McGavin has a supporting role as a corrupt politician working with the Red Skull. What, did Peter Billingsley opt out of playing Bucky? In either case, director Albert Pyun does the best he can with so little, and 1990’s “Captain America” is still a terrible comic book movie, in spite of the nostalgia value it holds. Only real collectors will want to pick up this latest Shout Factory release, as director Pyun really doesn’t know how to construct a great Captain America movie.



“Ultimate Spider-Man” the comic, from what I remember, was an edgy, sleek and rather dramatic reboot of the entire Spider-Man universe. And odds are if you’re used to angsty stern Peter Parker from Sam Raimi’s films and the newest cinematic outing with Andrew Garfield, “Ultimate Spider-Man” the TV series might take some getting used to. In fact, “Ultimate Spider-Man” completely side steps most of the angst, drama, and melancholy that comes with the territory of Spider-Man’s world, and grabs a hold of the comedy by the throat and dives in head first.
