X-Men: First Class (2011)

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While I did ultimately enjoy “X-Men: First Class” as a film, I found myself giggling at the very opening. I found myself giggling for the simple fact that we finally are given a biographical detailing of Magneto. You know, the one we were supposed to get with a feature film but never did? I love how the writers manage to sneak in his biography while also chronicling the story of two powerful gentlemen with vastly different ideals. Because at the end of the day, the real story behind “X-Men: First Class” is the brotherhood of ideas, and the views on mankind that separate us in spite of common goals.

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Thor (2011)

BovkDTVMarvel’s Thor has always skidded on the edge of mainstream entertainment and literary fare. As a comic book series it’s always been one of the most sophisticated of the pantheon of characters, so not every fan has subscribed to what tale the god of thunder has told fans for decades. And even with big names leading the pack like Natalie Portman and Kenneth Branagh, “Thor” is a hard sell for fans of the superhero cinema who want their entertainment and battles here and now and have to wait for their meals.

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Logan (2012)

One of my soft spots whenever reviewing movies sent to us by indie filmmakers is fan films. It’s become a genre onto itself, and most times can be a platform for fan boys who happen to be creative filmmakers. That’s a lethal combination that can amount to a wonderful fan service you can’t get from Hollywood.

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The Punisher Meets Archie

Around the time “Archie Meets the Punisher” was released in 1994, I was about eleven years old. I bought Wizard magazine and would buy just about every comic that came out at the time. I bought “Super Pro” and “Dark hawk” and even at the impressionable age of eleven I looked at the cover of “The Punisher Meets Archie” and thought to myself “Are you effing kidding me?” In all of the comic characters in all of the world to cross over they decided to cross over the most violent psychopathic anti-hero in the comics universe with the most inoffensive yet addictive cult comic book of all time to meet for a storyline that’s too heavy for an Archie comic book and too light hearted for a Punisher comic book.

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Iron Man 2 (2010)

D5QpV8WWhere in we saw Tony Stark as a modern day Howard Hughes in the first “Iron Man,” a reclusive eccentric bachelor billionaire whose vision produced the iron man suit allowing him to achieve his brilliance and somehow benefit the whole of mankind, we’re now given a different view in to Stark by screenwriter Justin Theroux as Stark is presented as a modern day Oppenheimer whose creation and mind-blowing new discovery is about to become the property of the US government whether he likes it or not and will probably be used as a war weapon.

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Three Years Later… "Spider-Man 3"

The transformation scene of Flint Marko de-materializing and then forming in to a human once again through his sand abilities is rather incredible. Raimi just outdoes himself here and the sequence is mesmerizing. There’s even a scene where Sandman balloons in to a humongous sandstorm pounding down on Spider-Man. But, again, no one really cared. Venom was the attraction. What do you expect from the fans? Venom is more popular than Spider-Man himself! But you have to give it to Raimi for at least trying to take a considerably lame villain and attempting to bring him to the attention of movie goers alike. He even retcons the entire origin of Spider-Man by making Sandman one of the folks who took part in the death of Uncle Ben.

So what all seems like a quick crime turns in to a pretty lame moment where Ben tries to talk Flint out of stealing his car and is shot by his partner for his resistance. All things considered, it’s a shame because Thomas Haden Church is a doppleganger to his comic counterpart and his strong performance is just forgotten. Venom is obviously shoe-horned in to the movie due to his sudden introduction in the second half because Raimi commits a heinous crime by completely reducing him in to a second rate villain. With that Raimi makes his position clear to both fans and the studio. He wanted Sandman to take center stage, Venom just isn’t important.

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Three Years Later… "Spider-Man 3"

Many would agree that the comic book movie has somewhat run its course in film. We have seen all the big guns of the comic book genre tackled on the big screen and we’re now being reduced to watching obscure superheroes and indie comics be adapted and fans are pretty exhausted. Even those who are die hard readers. One thing is for sure though: the fad is not dying any time soon even though they breed surefire controversy.

Such an example is the upcoming reboot of the “Spider-Man” movies. Upon reading the news many fans of the films and comics shouted from the rooftops at the sheer gall Sony studios had of wanting to restart the series. So far Sony is planning to completely revamp the big screen vision for the web slinger kicking out director Sam Raimi, and the entire cast and basically starting over from scratch. Obviously it’s to cut the cost of salary, but they insist it’s to completely rethink the direction the series is going in. Sony surprised many by this decision after talks ensued for months about their meetings with director Sam Raimi about plans for part four of the original franchise and even had the original cast contracted for parts four, five, and six.

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