Tag Archives: Music

The Greatest Night In Pop (2024)

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Now Streaming Exclusively on Netflix.

In 1985, Quincy Jones teamed up with Michael Jackson and Lionel Ritchie to create one of the biggest music hits of the 1980’s. It also happened to be one of the biggest bits of performative activism ever staged for a worldwide audience. While America was in the throes of the Regan era, more and more celebrities stepped up not only to act as idols but as activists striving for some kind of change. With “The Greatest Night in Pop,” Bao Nguyen chronicles the making of “We Are The World.” The surefire hit and Grammy Winner became a legendary anthem for activism teaming up some of the all time greatest singers of the 1980’s who stepped on to sing.

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Rhyme or Die (2021)

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I love Max R. Lincoln’s whole twist on the idea of people waking up in an abandoned warehouse and being tormented by a cruel game master. While “Rhyme or Die” sounds silly it actually manages to end as a very entertaining, gory and twisted short that uses the whole device of music as a test, rather than morality. Ironically the whole challenge of rhyming is used as a means of testing the morality of the players as we’re never sure what kind of weird games these people will play on one another to survive.

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Destroy All Neighbors (2024)

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Now Streaming Exclusively on Shudder.

A lot of Josh Forbes’ horror comedy is about how much it can remind you of Frank Henenlotter. So much of “Destroy All Neighbors” is Henenlotter from a man going insane, to splatter and gore, to the boldly colored close up shots of the various characters. “Destroy All Monsters” is a movie that I respect for its willingness to be about as random as weird as possible while not having much of a narrative. It’s all paper thin in terms of characterization and basic plot, and mainly is a pitch for an audience that is in the market for just outright insanity, and nihilism. “Destroy All Neighbors” brings it in spades.

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Soul (2020)

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In Limited Re-Release on January 12th, preceded by the Sparkshort “Burrow.” Check Local Listings.

Also Streaming on Disney Plus, and Available in Stores.

While watching “Soul,” two things came to mind. It’s amazing how much the movie reminded me of Chuck Jones’ “The High Note,” and Norton Juster’s “The Dot and the Line.” Both films perfectly articulate the power of music, and sound and the joy and pain that can come with it. Down to its basest, “Soul” is very much a movie about the power of music and the passion that can arise from it that transcends life and death. It’s probably one of the most unusual animated films from “Soul” in that animation style is so different from anything we’ve seen before or will see after.

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The War on Disco (2023)

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Lisa Quijano Wolfinger’s “The War on Disco” is a great documentary—if you have minimal to zero knowledge about disco music. For an hour long documentary it does very little to take advantage and explore the lesser known corners of the Disco boom of the 1970’s. It’s all pretty much a superficial and speedily paced buffer about the entire craze called Disco Music. Known for a long time as an enemy to rock music, Disco was a sub-genre of dance music that allowed for a lot more diversity, which prompted a lot more people to hate it.

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The Rolling Stones Rock and Roll Circus (1968)

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The Rolling Stones “Rock and Roll Circus” is quite the rock and roll bonanza that was been hindered by egos. The idea of an all star Rock and Roll show is great, and the idea for the concert involved a circus aesthetic and a mix of other artists that would culminate into an extended set by the Stones, who’d not only open the show but close it. The show, conceived by Mick Jagger as a way to promote the Stones’ album Beggars Banquet, was shot on December 11th, 1968 – and into the morning of December 12th but never hit the airwaves, oddly. It was shelved for decades by the Stones, only to appear on VHS and Laserdisc, remaining the obscure gem for such a long time that we didn’t get to see it until 1996.

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Studio 666 (2022)

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I can appreciate what Dave Grohl and BJ McDonnell were going for with “Studio 666.” In spite of me being a big Foo Fighters fan, I respected what they were trying to do. “Studio 666” is a horror comedy musical with shades of “Evil Dead,” “The Exorcist,” and “We Are Still Here.” It’s also kind of a commentary on the compromises you make in order to acquire artistic success, but those more dire themes are passive at best. “Studio 666” looks like one of those movies that was more fun to make than anything else, and that’s both a caveat and advantage.

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