The third entry in the “Puppet Master” series is by far my favorite. It’s my strongest memory of Full Moon in the nineties, and it made me a Full Moon fan boy for life. Back in the mid-eighties to late nineties, Full Moon was a bold studio. While their titles were hit or miss, even when they missed they were still very courageous in delivering some truly off the wall and creative genre pictures. “Toulon’s Revenge” is my favorite of the “Puppet Master” series and one I truly love to watch again and again.
Tag Archives: P
Prometheus (2012)
Basically what’s hypothesized in “Prometheus” is what if the thing that created us sought out the answers to what created it? And what if in the process of figuring out its own creation, it managed to accidentally create us? And what would happen if the thing that created us in a mission to figure out what created it, actually really wasn’t a God, and pretty much hates out guts for being accidental spawns of its experimentation? It’s a dichotomy and a contradiction that’s worth exploring, because it’s a startling and absolutely crushing notion to comprehend, but not with “Prometheus.”
Piranha II: The Spawning (1981)
Flying Piranhas! Flying fucking piranhas! How does one mess up a film about flying piranhas?! I would love to view “Piranha II” as a film experience that’s so bad it’s good, but in reality it’s so bad that it’s actually just bad. It’s no wonder James Cameron tries to pretend he had nothing to do with this film and disowns it like a stepchild. It’s a bad movie and one that poorly takes off from the concept the 1978 film laid down. It’s a shame that a movie that completely reworks the concept of killer piranhas in to something even cheesier basically doesn’t have a clue on how to handle the creatures.
Piranha (1978)
Admittedly up until this year I hadn’t actually seen Joe Dante’s “Piranha” before. And for folks who still haven’t seen it to this day in spite of its apparent cult status, Dante’s horror picture might be a little jarring. Tonally “Piranha” is unusual and quite surreal. The first half of the film is almost like a B dark comedy featuring drawn out bouts of exposition and a small stop motion bipedal fish walking around a secret lab for some inexplicable reason. The next half then suddenly becomes a stern straight faced horror film with the atmosphere amped up to eleven. It’s such an oddity on film that I couldn’t help but enjoy it from start to finish.
Piranha 3DD (2012)
Let’s be real here, it’s not like “Piranha 3D” was a cerebral ride in to the inner depths of human complexity. It was a basically ridiculous and absolutely brain dead film that, in spite of my original negative review, is something of a movie I can sit through for ninety minutes to pass the time. “Piranha 3D” is watchable in spite of its awfulness because it knows how to balance humor and terror and makes use of its throwbacks. This sequel however fails on every conceivable level and is practically the antithesis of entertainment. It’s a black hole of nothing sometimes, with a premise that goes nowhere when it’s going everywhere.
Planet Patrol (1999)
“Planet Patrol” is yet another of Full Moon’s films that has its heart in the right place. At the right time with the right budget it could have been a decent B family film. As it stands it’s merely a mess of a picture that really doesn’t do much for the Full Moon banner. “Planet Patrol” is mercifully barely eighty minutes long, which is a plus. So thankfully the audience doesn’t have to endure the endless string of inconsistencies and messy editing that ensues. For one thing, around 1999, Full Moon found themselves losing money production wise. So to fill time and save money in “Planet Patrol” they re-use footage from their past films to work for this film.
Project: S.E.R.A. (2012)
Project S.E.R.A. is yet another in a line of short films with feature length possibilities and Ben Howdeshell’s short action horror film has potential to be a small chapter in a larger story that invokes the likes of “Resident Evil” with a hint of “Mission Impossible.” Set in the beginning of a major zombie outbreak, a young girl struggles to face what has happened to her after investigating a top secret government toxin that they’re manufacturing. She’s caught along with her father who happens to be an agent himself, and both are tortured for information and leads. Of course none of them are aware what this enemy holds as they threaten to unleash this toxin on Jill’s father if she doesn’t speak.