Like every studio, Moonbeam and Charles Band were seeking their fortune with their own version of “Home Alone” that would bring in the big bucks. With sub-par efforts like “Remote,” there was also the “Prehysteria!” movies which always featured the owners of a foursome of miniature dinosaurs battling evil grown ups of some kind. Set immediately after the original, the foursome of dinosaurs now live with their new family The Taylors in the green house. Seeking to have their chance to feast on the family’s large crop of raisins, they’re accidentally scooped in to a large crate and sent off for shipping by local farmers. Luckily, they’re discovered by bratty but lonely rich boy Brendan, who befriends the miniature dinosaurs, and tries to keep them a secret from his mean house keeper Miss Whitney.
Tag Archives: P
Prologue (2015)
There’s a stark beauty to the animation of Richard Williams that is wildly undercut by the startling violence that ensues. Williams is very talented with presenting very fluid and life black and white animation that is reduced to very horrific scenes of battles and a war ensuing in the middle of a field.
The Peanuts Movie (2015)
I wish Hollywood would display this much respect and restraint with Dr. Seuss as they have with Charles Shulz. As a hardcore fan of Peanuts, I was initially very weary about how the series would be treated for a more mainstream modern audience. Thankfully my fears were laid to rest watching “The Peanuts Movie,” which isn’t just an adaptation of the original series, but is also a love letter to boot. Fans of the series will love how Steve Martino treats Charlie Brown and his world, opting for a wholesome respectful film, rather than ramming in pop culture references, and a sugary pop soundtrack. There’s nothing remotely cloying or obnoxious about “The Peanuts Movie,” and the new animation format even works in the series favor.
Pan (2015) [Blu-Ray/DVD/Digital]
Another in a line of 2015 films I really wanted to love, “Pan” left me bored, and asking did we really need a prequel? Did we really need to end the movie on Peter and Captain Hook giving one another uncomfortable glances knowing soon they’d become deadly nemeses? Why is Captain Hook called Hook if he doesn’t even have a Hook? Why is Tiger Lily played by a Lily White Actress? Hey, at least Hollywood keeps giving consistently flat Rooney Mara jobs, and turns Tiger Lily in to the heroine of a movie that’s supposed to be about Peter Pan. Or is he Peter who is a Pan? Or is he a Pan Warrior Named Peter?
Paper Towns (2015)
One thing I loved about “Paper Towns” is that it’s not your typical romance. Deep down it’s about a man chasing the love of his life, but it’s more so about the brevity of life, and how we can often lose our paths chasing something that might not be there. While “Paper Towns” is no masterpiece of the sub-genre of young adult adaptations, it is still a very pleasant and complex coming of age drama that packs a universal message that could be absorbed by pretty much anyone reaching a big change in their lives. In the midst of all the ballyhoo about co-star Cara Delevingne, “Paper Towns” went sadly unnoticed through all the gossip which is a shame since it’s a drama that deserves to be appreciated if only for its subtly and quiet charm.
Puppet Master 4: When Bad Puppets Turn Good (1993) [Blu-ray]
As we saw from the chronological mythology that unfolded in the first half of the “Puppet Master” series, the puppets owned by Toulon were once kind and heroic. The puppets were the products of a man kind at heart, whose own lust for vengeance and hatred for the Nazis turned him evil. And in effect, he transformed his puppets in to evil beings that did his bidding. Toulon was once a nice man, and evil transformed him in to the villain we eventually met in “Puppet Master 2.” The third film, which is my favorite by far, features the origin of the puppets and how they were just beings living and doing their own thing until they found an inherent purpose in snuffing out the ugliness in humanity.
ParaNorman (2012)
Norman is a kid who has an unfortunate problem. He lives with a small family, all of whom expect a lot from him, especially his dad who badgers him constantly. Norman’s dad just wants Norman to be like every kid. One who doesn’t talk to spirits of the dead, including his grandmother who died years prior. Norman never really asks for his ability, but is aware of a long lost uncle Prenderghast that his family shunned away years ago, who shares his knack for speech beyond the grave. When his uncle Prenderghast tracks down Norman, and makes him cautious of a curse involving an ancient witch that is set to unfold in their town.







