Basically what’s hypothesized in “Prometheus” is what if the thing that created us sought out the answers to what created it? And what if in the process of figuring out its own creation, it managed to accidentally create us? And what would happen if the thing that created us in a mission to figure out what created it, actually really wasn’t a God, and pretty much hates out guts for being accidental spawns of its experimentation? It’s a dichotomy and a contradiction that’s worth exploring, because it’s a startling and absolutely crushing notion to comprehend, but not with “Prometheus.”
Tag Archives: Prequel
Demons 3: Books One and Two [Digital]
I really like how these extra additions to these rare limited edition re-releases of the horror classics known as “Dremons” are really intended to connect the mythology. And yes, even in “Demons” a movie without rhyme or reason for being one of the most chaotic horror films ever made, there’s room for a good writer to create a mythology. Set in the world of “Demons 3,” writers Stefan Hutchinson and Barry Keating tell a compelling story in two graphic novels about the rise of Michel and Christopher. Along the way a man named Nostradame is plagued with endless horrible visions of the apocalypse, blood and guts, and endless turmoil caused by the rise of demonic entities that will destroy all of society and civilization.
Final Destination 5 (2011) (DVD/Blu-Ray/Digital)
It pains me that we have to sit through the “Final Destination” films when it can be developed in to something with a rich mythos and an overreaching story arc that ties together various characters. Instead it trots out one death after the other and insultingly introduces a new plot element that is not only ridiculous but until now was never mentioned in a movie. Again “Final Destination” sets up a series of questions and never answers them. So I’m left asking why. And with no successful answers. Because the producers behind “Final Destination” don’t feel the need to turn this series in to a semi-intelligent franchise, they just want this to be the films with the outstanding deaths.
The Thing (2011)
In director John Carpenter’s masterpiece of contemporary horror cinema entitled “The Thing,” we’re told that not only is the beast of the film weak, thus forced to take on the shape and form of humanity, but it also acts as an independent species. So while we think we may be seeing one monster, there’s an off chance this thing is really multiple organisms struggling for survival by hiding in our skin. There’s no one true thing in the Carpenter film, possibly multiple or even dozens of monsters hiding in our skins that we’re killing off one by one who continue regenerating. The wholly unnecessary “The Thing” now in 2011, completely shatters such a thesis by informing us that yes there’s one thing, and yes, this is what it looks like. Within the first fifteen minutes of the film.
Batman: Year One (2011) [Blu-Ray]
Frank Miller basically re-thought how we look at Batman today. Everyone from Bruce Timm to Christopher Nolan has taken a cue from the master writer who completely re-worked Batman for the modern era where the camp was no longer present and the grim takes on morality and justice became ever present in what we know as the character so well. “Batman: Year One” attempts to take the original Frank Miller graphic novel and transform it in to a small film that does its job in telling the tale of two forces of good that would walk in to Gotham City almost at the same time and become a true force of nature in changing the law and transforming the seedy underworld in to a haven for cowards and thugs.
X-Men: First Class (2011)
While I did ultimately enjoy “X-Men: First Class” as a film, I found myself giggling at the very opening. I found myself giggling for the simple fact that we finally are given a biographical detailing of Magneto. You know, the one we were supposed to get with a feature film but never did? I love how the writers manage to sneak in his biography while also chronicling the story of two powerful gentlemen with vastly different ideals. Because at the end of the day, the real story behind “X-Men: First Class” is the brotherhood of ideas, and the views on mankind that separate us in spite of common goals.
Hellraiser: Bloodline (1996)
It’s Pinhead. In space! With his cenobites. In space! Someone opens the puzzle box. In space! And people are tortured and turned in to cenobites against their wills. In space! The aspect about “Bloodlines” is that even though it closes the original continuity, there’s still a host of questions never answered for the fans. One of them being, if it’s indicated in the original film that becoming a cenobite is based primarily on the subjects own sado-sexual desires that transforms them in to beings of unbridled sexual pain and pleasure, why is Pinhead still just a stock slasher who turns people in to cenobites against their wills? In space? It’s a surefire sign you’re in for a thrill ride when you see director Alan Smithee at it again.