Some Kind of Hate (2015)

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Adam Egypt Mortimer‘s “Some Kind of Hate” may be polarizing to some viewers, because much like its contemporaries like “Carrie,” and “The Final,” there simply are no winners or heroes in this narrative. It’s a tragic tale about people losing left and right, and the vicious cycle of bullying. Being the victim of bullying can be a stain on your persona forever, and it resonates as a horrific echo for eternity. “Some Kind of Hate” is a grim and brutally bleak horror film about bullying and how it musters up something really bad from beyond the grave. Mortimer keeps “Some Kind of Hate” consistently torturous by closing off any avenues of hope for his characters.

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Some Kind of Hate (2015) [Film4 FrightFest 2015]

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Film4 FrightFest 2015

Lincoln Taggert is a loner metal head who is regularly bullied at school. After a particularly brutal event, Lincoln loses his cool and hurts one of his tormentors badly. Following this incident, Lincoln is sent to a meditation based reform school where he encounters a new group of bullies and eventually wishes they would all be dead. This awakens the vengeful spirit of Moira who attacks his tormentors one by one as she herself being highly disturbed by past bullying she was a victim of before her death.

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Shocker (1989): Collector’s Edition [Blu-Ray]

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It baffles me to this day that “Shocker” is still considered one of Wes Craven’s best films. It’s especially baffling considering Craven has not only pulled off much better genre films, but because “Shocker” is really just a remake of “Nightmare on Elm Street.” A vicious serial killer wreaks revenge on his pursuers through supernatural means which allow him to shift through his own dimensions, can contact our protagonist through dreams, and does battle with a lone teenager who enters his realm in the finale and confronts him. It’s the exact same film from beginning to end, except it has a much more prevalent self awareness than “Nightmare” did.

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We Are Still Here (2015) [FrightFest 2015]

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FrightFest 2015

Anne and Paul Sacchetti lost their son to a car accident. In an effort to move on, they relocate to New England, to a quaint looking house made for a family. No sooner have they arrived do odd things start happening. Higher than normal heat in the basement, frames falling over, possible apparitions, … A few weeks into their living there, the Sacchettis are visited by the McCabe and are told that the house needs a family. As the phenomena multiply, Anne becomes certain it’s their dead son letting them know he’s there with them. To get to the bottom of this, she invites her friend May who is a medium to come spend a weekend and possibly try to reach her son. Once May and her husband Jacob arrive, something is clearly not right. One day, while May and Anne are out shopping, the men have a séance which turns very bad and is followed by all hell breaking loose.

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Five Essential Wes Craven Films

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As a hardcore horror fan I cut my teeth on the films of John Carpenter, George Romero, and Wes Craven. They were just the trio of horror masters that were always there from the time I started exploring the horror world, and I always took them for granted as wizards of cinema that would always be there. Sadly our horror icons are mortal, and Wes Craven has passed on. His death will surely rattle the horror world for a long time, and that’s because Craven was an important face of the genre right until his death, and he’ll be important long after he’s died. We can take solace in the fact that Craven affected a ton of people, and will live on forever through his vast and unique library of horror films and thrillers.

True, he’d stumbled on occasion with films like “Shocker,” and “Cursed,” but when he was on point, he’d deliver a horror film that would change the entire genre for a long time. He did so through a ghost faced slasher, a clawed dream demon, and an exploitation film about psychotic hippies. Craven always seemed like such an affable and good spirited individual with a smile permanently plastered on his face. He seemed to enjoy creating horror films that would haunt us and make us think at the same time. It’s a shame we won’t see anything new from Craven anymore, but we can celebrate the diverse output of really interesting and often celebrated horror movies that continue to influence generations. With respect to the legacy of Wes Craven, these are five of his films that are essential viewing for any movie buff interested in horror 101.

Here’s to you, Wes. Thanks for entertaining us, scaring us, and enlightening us. May you rest in peace.

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Blade Squad (1998)

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1998 was a big year for FOX television. Despite handing audiences turkey after turkey (Nick Fury Agents of Shield, anyone?), you have to appreciate their relentless pursuit to deliver genre fare. “Blade Squad” is one of the many failed attempts to build a show out of a TV movie that works as a glorified pilot. As a kid I spent a lot of time in front of the television, and I caught “Blade Squad” one dull Friday night. Suffice it to say despite its interesting concept, “Blade Squad” is a missed opportunity and really dull execution. It’s also a really unique artifact of a decade obsessed with futuristic punk and neon colored dystopias.

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Fast & Furious 7 (2015)

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“It’s never goodbye…”

It’s shocking that not only is “Fast & Furious 7” not only the best entry in the series yet, but it’s also one of the best movies of the year. It’s exciting, it’s engrossing, it’s fun, and goddamn, it’s a heartbreaking last go around for Paul Walker. I say this as someone who openly hated these movies after the first film, but here I am years later, getting teary eyed at the end of a “Fast & Furious” film. In fact, this is also one of the most human sequels of the series, since it deals a lot with consequence, and revenge. Shortly after “Fast 6,” the group finds out that their latest heist has granted them a death ticket. The brother of Owen Shaw (Luke Evans) has come to wreak unholy vengeance on Dominic Toretto and his crew.

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