The Goonies (1985)

Posted on October 12, 2013 by Felix Vasquez

If you want a pure unadulterated ride in to the middle of the eighties, “The Goonies” is an inadvertent trip in to the complete mindset of the decade. Cyndi Lauper, adventure, escapism, work out obsession, coming of age, nostalgia for the sixties, a humongous Steven Spielberg influenced narrative, Corey Feldman, Richard Donner, Jonathan Ke Quan, if it was in the eighties, it’s likely here. That doesn’t act as a caveat, thankfully, as “The Goonies” is a very decade relevant film that still manages to work as an excellent child oriented fantasy adventure in the vein of “The Hardy Boys.”

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Carrie (1976)

Posted on October 10, 2013 by Felix Vasquez

Upon first glance, you’d think Brian DePalma directing a Stephen King Adaptation would be something disastrous. DePalma has spent most of his early career emulating Hitchcock, and delivering cerebral gems like “Sisters.” It’s a treat though that he ends up becoming one of the most crucial elements of “Carrie” and its adaptation. Because what the director can’t convey through special effects, he conveys through some amazing camera work and editing that still wows me to this day. “Carrie” is easily one of the best horror films, and revenge films ever made. It’s a brilliantly cast and deeply tragic story of a girl whose powers became the judgment day for many cruel individuals who preyed on the innocent.

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The Rage: Carrie 2 (1999)

Posted on October 10, 2013 by Felix Vasquez

It’s a remake! It’s a sequel! It’s a remake! It’s a sequel! No, it’s an homage! Who knows what “The Rage: Carrie 2” is. Like most “sequels” in the late nineties and early aughts, I imagine this was originally just called “The Rage,” and the studios decided to plug in a lot of continuity from Brian DePalma’s “Carrie.” A few quick fixes, and voila! We have a sequel to “Carrie” that no one wanted. “Carrie 2” is actually a solid dramatic thriller when all is said and done, the problem is it’s really not necessary. We don’t need to know what happened once Carrie White destroyed her entire student body.

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Hotel Transylvania (2012)

Posted on October 5, 2013 by Felix Vasquez

Even with the great Genndy Tartakovsky behind the screen, I held out almost no hope for “Hotel Transylvania,” because even in an animated film for kids, Adam Sandler is never above casting his slew of pseudo talented friends as the supporting cast. Like most Sandler productions, “Hotel Transylvania” can occasionally be loud and silly, but when it reaches down for a heart, it manages to be a sweet bit of family fare.

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Mad Monster Party (1967)

Posted on October 5, 2013 by Felix Vasquez

Rankin Bass’s “Mad Monster Party” (or “Mad Monster Party?”) is a monster bash of animated proportions that brings the great Boris Karloff aboard to lend credibility to an already fun animated film. Comprised of some excellent voice work and some classic stop motion animation from the Rankin Bass studio, “Mad Monster Party” sets down on the geeky and lovable Felix Flankin, a pharmacist with an allergy problem who is called to his old uncle Baron Boris von Frankenstein’s island for a party where he plans to announce to his monster community that he’s giving up the life of monster making and plans to hand over the business to his nephew.

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Interview with the Vampire (1994)

Posted on October 3, 2013 by Felix Vasquez

Author Anne Rice has been accused of feminizing the vampire creature for a very long time. While Bram Stoker was one of the first authors to take a fear creature of its period and turn it in to an individual with feeling and romantic urges, Anne Rice gets the brunt of the blame for taking a horrifying creature and transforming it in to a romance novel element. I can safely say I’ve never read a single Rice novel, but I am always surprised when I find that “Interview with the Vampire” is an entertaining film. It’s probably the most erotic mainstream film of all time. It’s a glorified Jean Rollin vampire film that places sexual emphasis on blood sucking and vampirism that Jess Franco or Jean Rollin would have offered fans in the early seventies.

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Dark Shadows (2012)

Posted on October 3, 2013 by Felix Vasquez

Were people actually clamoring for a big screen adaptation of a soapy daytime horror melodrama from the fifties that only hardcore horror fans know? Did we really have to have a big screen adaptation of a Gothic soap opera? It’s no wonder director Tim Burton approaches the adaptation of “Dark Shadows” with a tongue in cheek often derisive attitude. The show is obscure among the broader audiences, and even when he fine tunes the film with goofy humor and testicle jokes, it’s still so niche that not even hardcore Burton apologists will enjoy what he has to offer. Like most recent Burton productions, “Dark Shadow” is gaudy, busy, and feels like Burton going through the motions without an inch of heart injected in to the narrative.

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