I remember seeing the preview for “Shrunken Heads” back in 1994 during the end of a double feature from the video store and even then I thought the idea was a weird one. A kids movie about disembodied shrunken heads getting revenge on their murderer is unusual. “Shrunken Heads” is a strange god awful movie, but one that affords itself some nostalgic value so while it is a waste of talent and resources, it’s not totally a waste of time. Whether it’s Danny Elfman’s involvement as the sound track artist, or Meg Foster curiously cross dressed as an Italian mobster with a pomp haircut, every single move to this movie is confusing and often times disorienting.
Tag Archives: Romance
Take Me Home Tonight (2011)
“Take Me Home Tonight” operates on the basis that we still give a squat about the eighties and thanks to the financial failure that was this film in early 2011, it’s great to hear America isn’t budging in their resounding boredom with the decade. This was only further remedied by “MacGruber” and its eighties crapola that touted the same sentiment “Take Me Home Tonight” does. Director Michael Dowse’s film doesn’t so much want to be a coming of age film from the eighties so much as it wants to be an eighties film. It takes every chance to define itself as the decade love letter that it almost convinces itself that it’s a movie ripped from that decade.
Passion Play (2011)
Director Mitch Glazer’s film is probably one of the funniest most pretentious art house flicks of the year. It’s one of the stupidest pieces of utter tripe ever conceived by man, an almost satirical look at artsy fartsy that dabbles in to a premise so ridiculous it’s barely competent enough be considered symbolic. Oh Megan Fox is a bird girl named Lily, but she doesn’t want to be a bird girl, but she’s so beautiful! Mickey Rourke wants to restore her beauty by keeping her wings in tact even though she destroys them every night, all the while confronting wandering Indians who come to his rescue, evil old carnies and the like, all of whom are obviously some form of delusions of grandeur by some coked up cowboy played by Rourke who stumbles through the film with a grumble.
The Hangover Part II (2011)
It’s nice the producers of “The Hangover 2” loved the original so much they gave us the same movie again except in Bangkok. Unoriginal sentiment? Yes, but “The Hangover 2” deserves it for being an unoriginal movie. Unusually dark and lacking in the adventurous tone the original possessed, “The Hangover 2” is essentially the same formula except switched and mismatched for the audience to believe they’re watching something new. Of course, I put myself in to the mindset of the writers and wondered where else they could have gone with the sequel. It’s called “The Hangover,” there was a first movie about a hangover, and now we’re back to the sequel which will deal with what exactly? A hangover, I presume.
Yogi Bear (2010) (Blu-Ray/DVD/Digital)
Though the argument will be that this film is not marketed to someone like me, I think you can be of age and still think “Yogi Bear” is an assault on the senses. In fact I think it tends to border on noise pollution with a slew of stars whom are much more talented than the film would dictate. Particularly Tom Cavanaugh who looks like he has the life beaten out of him playing the toned down more Duder version of Ranger Smith.
Ninjas vs. Vampires (2010)
Director-Writer Justin Timpane is back and he’s bringing fanged fucks with him in the sequel to his highly entertaining “Ninjas vs. Zombies.” Except this time he’s armed with a bigger budget and a cast with more acting abilities this go around. The versus titles are a niche in the Straight to DVD market, so Timpane is already ahead of the game with the sequel to his franchise which sees an innocent bystander fall to the clutches of a vampire attack only to be saved at the last minute by the Ninja clan who arrive in time to hunt the vamps, but not prevent our protagonist from becoming a vampire.
Ninjas vs. Zombies (2008)
I love how in the very middle of the film when hero Randall has lost all hope he’s greeted by the vision of a young girl who insists the only way to beat the zombies is ninjas. Almost as if that’s been the natural choice for every decision involving zombies in pop culture. Ninjas, duh! “Ninjas vs. Zombies” is the pop culture ode that I could definitely get behind. Sure it’s micro budget and lacking in solid performances, but it’s such an unabashed celebration of this ridiculous concept it’s tough not to enjoy. I’m not surprised there’s a follow-up on the way, that’s for sure.