The biggest difference that sets John Badham’s remake apart from Luc Besson’s original “La Femme Nikita” is the context of the decade. Even set in the late eighties to early nineties, Besson’s original has a very timeless appeal to it and is still a template for many action films. John Badham’s remake though is very soaked in nineties ephemera, to the point where you can almost hear “90210” playing in the background of every scene. Thus it distracts from the story Badham is trying to tell. Which is a stacked deck, considering “Point of No Return” is a weak retread of an action masterpiece.
