Similo (2014)

In a dying world how far would you go to keep the environment you loved? And more importantly, in a world where you’ve lost the only person you’ve loved, can you ever really get them back? Is it worth trying to pretend you’re still where you were decades ago, or isn’t it just easier to let go and accept your fate? “Similo” is a brilliant and beautifully directed science fiction short that uses the world our character Heve lives in as an allegory for the relationship she lost a long time ago.

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Blended (2014) [Blu-Ray/DVD/Digital]

“Blended” is part old school Adam Sandler and new school Adam Sandler. It has the same dumb, pointless, physical humor, with the modern “family is everything, you’re nothing if you’re single” sentimentality that’s permeated like self righteous stink through his later comedies. To make the affair even more grating he teams up with Drew “nails on a chalkboard” Barrymore for a third time. The cynical side of me thinks that they teamed up again to complete a trilogy of pairings for a potential special edition release of their comedies. But the obvious seems to be Sandler re-visiting the well hoping for another hit. It’s just sad that never translates in to memorable entertainment. “Blended’ is a family oriented dramedy that’s never original, nor does it pose any sense of Sandler thinking outside the box in his early films.

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The Dead 2 (2014) [Blu-Ray]

While I did enjoy “The Dead,” I also admit that it spooked me a bit, if only for the Ford Brothers’ ability to depict the walking dead as a truly horrifying, a talent that’s tough to accomplish with our current glut of zombie films dominating pop culture. “The Dead 2” isn’t a far departure, sticking to what made the first film such a success, while switching elements around to regard it as another chapter in the epic continent trotting tale of the zombie apocalypse. There still hasn’t been much of an explanation of the particulars of the zombie virus and where it originated, but that’s irrelevant once the dead are knocking down doors.

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Point of No Return (1993)

PNR_Bridget_Fonda

The biggest difference that sets John Badham’s remake apart from Luc Besson’s original “La Femme Nikita” is the context of the decade. Even set in the late eighties to early nineties, Besson’s original has a very timeless appeal to it and is still a template for many action films. John Badham’s remake though is very soaked in nineties ephemera, to the point where you can almost hear “90210” playing in the background of every scene. Thus it distracts from the story Badham is trying to tell. Which is a stacked deck, considering “Point of No Return” is a weak retread of an action masterpiece.

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Hercules (1997)

Watching “Hercules,” feels almost like what Disney would have done to Superman if DC ever let them turn the character in to an animated feature film. It has all the hallmarks of the Superman mythos. Not to mention it embraces the classic hero’s journey, and is one of the few Disney features based around mythology rather than an age old story. Disney could very well have approached the tale of a young God in training with an animation style that could have rendered the film bland and forgettable. Instead, “Hercules” is one of their more unique and outside the box animated adaptations.

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Youngblood (1986)

youngblood

I have a history with “Youngblood” as I do with a lot of movies from the eighties. It was one of those movies that always played on local television and all I remembered about it was the idea that hockey involved a lot of fist fighting, and methodical fist fighting at that. “Youngblood” was always that really entertaining sports movie that was more about the idea of the male spirit than the sport of hockey itself. It’s not the most sports oriented movie, but more a coming of age action flick with a hefty amount of romance, bromance, and typical eighties homoeroticism. And I still find it to be a raucous action drama, regardless of its age.

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Lost in Space (1998)

lost-in-space

It takes a special kind of talent to screw up a remake of “Lost in Space.” It’s basically just the Swiss Family Robinson lost in the universe, and finding new worlds and fantastic adventures. They cast Gary Oldman as Dr. Smith, Robot B-9 is given a bold new re-imagining, and yet “Lost in Space” still manages to be so putrid and terrible.I fondly remember anxiously wanting to see “Lost In Space” when I was a teen to the point where I even had a dream about it. After finally seeing it upon its release, it’s kind of sad that the trailer seems to embrace the spirit of the series more than the movie itself.

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