On Blu-ray April 23rd and currently on Digital from Well Go USA
A newly unemployed journalist starts a podcast and investigates large stones that have been showing up suddenly in random people’s lives.
Tag Archives: Science Fiction
Bloodshot (2020)
Dave Wilson’s movie feels like one of those comic book movies made in 2003 when studios made comic book movies but were embarrassed to admit it. So they’d make their movies without giving us what the fans wanted hence a “Punisher” movie without his signature skull shirt. With “Bloodshot” what we’re getting a movie based on the somewhat obscure nineties comic, but a lot of the changes are obviously made from Sony and Vin Diesel to side step the fact he’s in a comic book movie. He looks very little like Bloodshot, doesn’t often don his signature red chest spot, and isn’t even referred to as Bloodshot.
But he’s Bloodshot! Don’t worry, all five people that loved the Valiant comics universe*!
Giantess Attack vs. Mecha-Fembot! (2022)
I would have loved to be a fly on the wall during the pitch meeting for “Giantess Attack vs. Mecha-Fembot!” I imagine that it involved hastily written cocktail napkins stapled together as a script, some cheap martinis, a randomizer that picked names of various porn stars out of some huge list Full Moon has stored in a database. For all intents and purposes, they manage to squeeze by barely on an hour long movie that really isn’t a movie. It’s a movie in the traditional sense, but the whole idea of giant women fighting is a framework for a lot of comedy skits.
Festival of the Living Dead (2024)
Now Streaming Exclusively on Tubi.
The Soska Sisters hit absolute rock bottom with what is possibly one of the dumbest zombie movies released in the last few years. It’s dumb, and when you think it can’t, it finds new ways to get dumber and dumber. The Soska sisters are usually a very talented pair of directors, but with “Festival of the Living Dead,” everything wreaks of pure amateurism, but exploiting “Night of the Living Dead” for fan appeal, to the painfully stupid script, and just downright terrible acting. To make things worse, the premise and concept takes such leaps and bounds to connect to the universe of “Night of the Living Dead.”
And it’s only “Night of the Living Dead” since that’s the only movie in the series in the public domain.
Sting (2024)
Opens Wide in North American Theaters on April 12th.
I’m glad that monster movies seem to be making more and more of a comeback in the last few years, and among them are director Kiah Roache-Turner’s “Sting.” Roache-Turner is an individual that’s delivered on very gritty, grindhouse flavored zombie films over the years (Any other “Wyrmwood” fans in the house?), and “Sting” is a big departure from what he typically offers the horror crowd. That’s a great thing because he proves that he can do more simplistic, stripped down and classic movie fare. “Sting” has a different aesthetic, one that’s darker, and more human based and relies a lot on the human characters to deliver on spooks and gruesome gore.
Giantess Battle Attack! (2022)
Now Streaming on TubiTV
After “Attack of the 50ft Cam-Girl,” I assume Full Moon and director Jim Wynorski just thought “Aw, Fuck it” and went ahead with a trilogy of films. What started as yet another iteration of “Attack of the 50ft Woman” transformed into what are now a trilogy of cheaply made, tongue in cheek schlockfests where the main attraction is the giant, busty women knocking heads with one another. They wear tight, short clothing, and tower over the male characters, and there’s a ton of innuendo and double entendres thrown at the audience.
Godzilla x Kong: The New Empire (2024)
Now In Theaters Nationwide.
“Godzilla x Kong: The New Empire” in a nutshell:
Kong: Man, I just got my ass kicked. Help a Titan out?
Godzilla: Say less, bruv. We on this bitch.
Mothra: Allow it.
The best thing to remember about “The New Empire” going in to it is that Adam Wingard’s movie is for the monsters this time. There’s a lot less stuff about bureaucracy, and shady governments, and Armageddon. Now that we’ve hit on all those notes, Wingard gives us what can plainly be described as a fun, classic Saturday matinee. It’s a tribute to the classic monster mashes from Godzilla’s heyday where King Kong is the hero who calls upon a few of his friends, one of whom being Godzilla, to take down a new potential threat to mankind. A challenger to the throne, if you will.
So much of it works as I was hooked on the journey we’re taken on with King Kong.