It’s funny. Back in the day when I used to love any superhero movie that came in to theaters, I found myself getting excited by “Batman & Robin.” Why? Because he mentions Superman in the opening for a brief second. Nevertheless that was when fans and Warner were still considering a Batman and Superman movie, and that never came to fruition, thankfully. “Batman & Robin” is a glorious mess. It’s a movie so awful that it’s compelling at times.
In the first “Batman,” the dark knight is described and thought of as something of an urban legend. He hides in the shadows, is mistaken for something of a myth, and only arrives to instill justice when the police are outnumbered. In “Batman Returns” Batman is basically the police. You assume for a massive political event in the first twenty minutes of the film, there’d be barricades and strong police force, but Penguin is able to pretty much wreak havoc with the Red Triangle gang, while the streets are left in tatters with no police around. Only does the order get restored when Batman arrives and Commissioner Gordon is left to thank Batman for saving the day while the police are seemingly sitting with their thumbs up their collective butts.
The third entry in the “Puppet Master” series is by far my favorite. It’s my strongest memory of Full Moon in the nineties, and it made me a Full Moon fan boy for life. Back in the mid-eighties to late nineties, Full Moon was a bold studio. While their titles were hit or miss, even when they missed they were still very courageous in delivering some truly off the wall and creative genre pictures. “Toulon’s Revenge” is my favorite of the “Puppet Master” series and one I truly love to watch again and again.
So the zombie apocalypse came and went and guess what? We lost. Miserably. After the world has been consumed by the cannibalistic walking dead by the hordes, there are really only a few dozen living humans on the planet. And they’re struggling to maintain the lingering shreds of sanity they still possess. Once upon a time, a long time ago, “Day of the Dead” was considered the lesser of the Dead trilogy from director George A. Romero, and it’s quite shocking considering “Day of the Dead” is a masterpiece. In fact it’s every bit as good as its predecessors “Night” and “Dawn” with just as much thought provoking material as the former titles.
Flying Piranhas! Flying fucking piranhas! How does one mess up a film about flying piranhas?! I would love to view “Piranha II” as a film experience that’s so bad it’s good, but in reality it’s so bad that it’s actually just bad. It’s no wonder James Cameron tries to pretend he had nothing to do with this film and disowns it like a stepchild. It’s a bad movie and one that poorly takes off from the concept the 1978 film laid down. It’s a shame that a movie that completely reworks the concept of killer piranhas in to something even cheesier basically doesn’t have a clue on how to handle the creatures.
Let’s be real here, it’s not like “Piranha 3D” was a cerebral ride in to the inner depths of human complexity. It was a basically ridiculous and absolutely brain dead film that, in spite of my original negative review, is something of a movie I can sit through for ninety minutes to pass the time. “Piranha 3D” is watchable in spite of its awfulness because it knows how to balance humor and terror and makes use of its throwbacks. This sequel however fails on every conceivable level and is practically the antithesis of entertainment. It’s a black hole of nothing sometimes, with a premise that goes nowhere when it’s going everywhere.
For the uninitiated, back in 1978 when George A Romero’s “Dawn of the Dead” was released in foreign countries, it was renamed “Zombi” and re-cut for Italian audiences sans the dark comedy. When the movie became a hit, Lucio Fulci took it upon himself to direct the “sequel” entitled “Zombi 2.” Basically, Fulci’s “Zombi 2” is not actually a sequel to Romero’s “Dawn” but unofficially his horror film acts as a pseudo sequel/prequel for “Dawn.” So basically “Dawn” has two sequels, one official, and one unofficial. I of course prefer “Day of the Dead,” but Lucio Fulci’s “Zombi 2” is not without its merits. It’s a terrifying and often haunting zombie film filled with such effective gore and grue that you could smell the stench of the walking dead permeate off the screen at times.