Kiddy Kiddy Bang Bang (2012)

Dick Jane’s short film is obviously just a prologue to further adventures of its two heroines. It’s either going to be the first in a series of short films, or “Kiddy Kiddy Bang Bang” is a pitch for a feature film in the making. If Dick Jane gets it off the ground, I can imagine Troma being more than willing to scoop this up and make this in to a cult classic. As a short film it’s exploitative, ridiculous, far-fetched, and the entire story just makes no damn sense. I also snickered at the dedication to sexual abuse victims in the final scene.

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The Strange Thing About the Johnsons (2011)

As a film lover and someone who loves to keep his ear to the ground to hear about films that people are talking about, I found “The Strange Thing about the Johnsons” to be a film everyone was buzzing about since 2011. Premiering at Slamdance, director Ari Aster’s short film has made waves across the board amassing a following of film lovers. The aspect about Ari Aster’s short film is that it’s built a foundation of movie lovers that have seen the film and either love it or absolutely despise it. Checking the buzz on the net, I’ve seen so many viewers who detest it from head to toe and just bash it endlessly, while others appreciate and adore its guts. One commenter of the film claims this is a part of the Jewish agenda to tarnish the African American image.

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Albert & Juliet (2012)

I don’t know exactly what the intended meaning behind “Albert & Juliet” was originally, but the entire time I sat through Nic Barker’s gut wrenching short film, all I could think of was “This is a film about a mom and her child.” I mean it would be a bit overbearing in dramatic weight to feature a mom with a newborn baby being relentlessly tortured by everyone around her, but in a sense I felt as if “Albert & Juliet” was symbolic of a single mom and her baby.

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Batman: Ashes to Ashes (2009)

1243708565_ashes-to-ashesI guess this can be considered a fan film worth watching. Only if you’re willing to endure what it has to offer in the way of pathos and cruelty. “Batman: Ashes to Ashes” pretty much re-thinks the mythos of Batman while knocking off classic movies in the process. Directors Samuel Bodin and Julien Mokrani take from “A Clockwork Orange,” “Batman Returns,” and heavily relies on imagery reminiscent of “Sin City” to get its story moving, while characters like Harley Quinn are turned in to femme fatales with major villains playing only small parts.

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Dirty Laundry (2012)

I love 2004’s iteration of “The Punisher” starring Thomas Jane as Frank Castle also known as The Punisher. It’s a slow boiled crime thriller that eventually transforms in to a chaotic bloodbath with seemingly no limits on its cruelty. And it also has an admirable demented sense of humor. After 2004’s film, Thomas Jane dropped out of the role after a brouhaha with the studios and their direction toward the sequel that was apparently so bad and or radical that Jane just couldn’t abide by it. But since then many fans have argued that Thomas Jane’s performance of Frank Castle is the definitive cinematic performance of the character and his turn as Castle was admirable. It was layered, tragic, searing, bold, and genuine.

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Rhino (2012)

“Rhino” is an immense departure from director Patrick Rea’s norms in the film world. Typically Rea is more prone to delivering more darkly comic or horrific films that are often quite excellent. So it’s rather jarring to see Mr. Rea tackle what is possibly one of the best crime dramas I’ve seen in recent memory.

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88:88 (2011)

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Many directors think that in order to lure in audiences, they have to have a pay off that reveals their menacing villain in their film. Whether it’s a short or a feature length film, they’re not often concerned with leaving things up to the imagination. The fact that “88:88” was filmed around a very small budget with only two set pieces, benefits the overall creative work to display a film and a premise that’s both terrifying and awe inspiring. Thankfully “88:88” doesn’t crowd the film with a lot of dialogue, nor does it need to explain everything that’s happened.

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