After “Saw,” you could basically build an entire sub-genre around horror movies involving a group of strangers whom wake up in an abandoned location and endure a painful series of trials that teach them some lesson and reveal secrets. Thankfully, director Daniel Krige’s film “Inhuman Resources” (once known as “Redd, Inc”) works because it’s not only unique in its delivery of the premise, but darkly funny, too.
Tag Archives: Slasher
Ancient Evil: Scream of the Mummy (1999)
One of the worst things about fiction is bad exposition. It’s pretty clear from the beginning that “Ancient Evil” probably wanted, but couldn’t afford an entire shot of archaeologists discovering the evil mummy of the film, so we have to have an opening shot of a group of doctors discussing the mummy. One doctor even tells the other doctors where they found the mummy. That’s just bad writing. Why would she reiterate what they already know? Clearly, it’s for the audience.
Hatchet III (2013)
Director Adam Green’s concept for a throwback to slashers has always been a good idea. In theory. Sadly Dark Sky Films has taken a one note concept for a serviceable slasher film and turned it in to a three film series that really didn’t need anymore than one movie. I’m still not in the thought process that the “Hatchet” films are the second coming of the slasher sub-genre, because while they have their audiences, slasher films are still pretty much just a sub-genre reserved for indie filmmakers at the moment. “Hatchet” has been a consistently repetitive and tedious series that really offers nothing new. Even with the casting of Danielle Harris as a replacement for the original lead, “Hatchet” still manages to be loud, redundant, and lacking in any genuine scares.
Girls Gone Dead (2012)
There is nothing worse than a slasher movie that takes forever to get going. Directors Michael Hoffman Jr. and Aaron T. Wells build a film almost two hours long that takes thirty minutes to really get in motion. I’m not averse to watching hot girls jiggle around and play in pools, but you have to give us something more if you’re not going to directly begin hacking characters to death. “Girls Gone Dead” doesn’t enter in to its actual plot until thirty minutes. The first half hour is nothing but filler and bad exposition. Save for a funny cameo from Linnea Quigley, the first half hour easily could have been cut or truncated for pacing.
Alone in the Dark (1982)
Jack Sholder’s 1982 horror film “Alone in the Dark” suffers from undeserved obscurity; it’s a morbid and utterly mind bending little thriller that taps popular films, but still ends up a truly great little horror flick when all is said and done. “Alone in the Dark” is its own breed of the revenge film mixed with a Monster in the House film, ending with a mish mash of genre tropes audiences will appreciate when the dust has settled. Jack Sholder’s horror film has a surefire unique style of its own with some scenes that are just outright surreal.
My Bloody Valentine 3D (2009)
No one is more exhausted with the torrent of needless remakes than I am, but I was shocked that Patrick Lussier’s treatment of the modern “My Bloody Valentine” is not only clever, but very entertaining. I was never a big fan of the eighties slasher classic, so it was a welcome treat to see Lussier treat the concept with respect, and add his own twist to it. “My Bloody Valentine” acts more as a tribute to the original film with a continuation of the storyline rather than actually try to re-capture the dark comedy of the original. This time around, “My Bloody Valentine” revolves the latter day town of Harmony that lives by the legend of Harry Warden, the psychotic pick axe killer who mutilated many during Valentine’s Day.
Hold Your Breath (2012)
Just think: Someone at the Asylum offices dug through their piles of Chinese food menus and eventually found the script for “Hold Your Breath” (I’m not including the superfluous hashtag) tucked away. And someone read it thinking this would be the perfect theatrical debut for an Asylum movie. In reality, “Hold Your Breath” should just be another Asylum clunker on DVD, but it warrants a theatrical debut by virtue of the fact that it has minor horror starlet Katrina Bowden attached.