I’ve always said that If you want nihilism and unabashed filmic carnage, you need to look no further than “Texas Chainsaw Massacre,” but Tobe Hooper’s “Eaten Alive” as a follow up almost reaches the heights of pure carnage that his first outing did, but “Eaten Alive” is a film that will properly divide audiences. “Eaten Alive” has a definite potential to it that’s never quite realized what with an irritating uneven pace, and a nonsensical story not to mention that unnerving feeling that this may as well be touted as a sequel to the former. The main downfall is that itching feeling you get that Hooper originally intended this as a follow up and that’s what keeps “Eaten Alive” from ever getting off the ground.
Tag Archives: Slasher
Friday the 13th: The Killer Cut (2009) (DVD)
Let’s face it, Platinum Dunes is a remake factory that’s managed to take some of the best horror films of all time and completely butcher them. Take “Texas Chainsaw Massacre” for one example, a bastardized MTV version of a damn good dose of indie filmmaking. But surprisingly, “Friday the 13th” isn’t a bad film and Marcus Nispel completely redeems himself. In fact it’s pretty damn good. I know I’ve become the small minority of movie viewers who see the film as a great reboot, but I just clicked with “Friday the 13th” and everything it pushed on audiences including the mean vicious SOB that is Jason Voorhees.
Friday the 13th (2009)
I think the only people who hold grudges more than Jason are the religious and it’s a known fact that Jason is one angry bitter man whose mom is taken down at the first five minutes of the 2009 reboot called simply: “Friday the 13th.” A combination of the first, second and third films in the series, “Friday the 13th” seek to completely redo Jason and start over with a clean slate. This is a great idea especially after desperation from studios forced the masked killer in to deep space and the future of mankind. This is a stripped down reboot that director Marcus Nispel handles with care, because it’s a task liable to be screwed up once he and the writers decide on fitting an origin, a motivation, and the discovery of the hockey mask in only ninety minutes. But he rises to the occasion and actively keeps the story moving with a body count of almost ten people and an admittedly uneven pace. Despite the caveat and probably because of it, Nispel’s treatment of Voorhes makes for the first enjoyable experience at the movies in a long while.
Hackoween #1
Okay, so see if this makes sense to you: Cassie and Vlad, having been called in to the future by a mysterious being, find that Halloween Man is fighting a horde of the walking dead who I can assume were once superheroes. Cassie, finding no other recourse in defeating Halloween Man based on the info from a mysterious being they have no knowledge of, Cassie cores the zombie from the robotic armor that so happens to fit her, squeezes in to it and so happens to be able to operate the robotic machinery to take on Halloween Man.
Re-Writing Halloween: Interview with Comics scribe Stefan Hutchinson
Stefan Hutchinson’s been a great friend to Cinema Crazed since we began reviewing his comic books and our raves about his takes on “Halloween” and the mythos of Michael Myers have not been sycophantic. If you’ve ever read a comic from this man, you’ll know he’s one who understands the world John Carpenter unfolded for horror audiences, and why it’s remained so prevalent in the film community in spite of bad sequels and remakes. With that said, we hear from Hutchinson and his approach to the comics.
So what inspired you to write Tarantula Man?
Tarantula Man came about as a result of a long discussion between myself and the team who write the website material. We were having a conference about potential new content for the site, and Greg Mitchell (one of the site writers) suggested possibly doing Tommy Doyle’s comic books. My thoughts went into overdrive at that point and I came up with the rather wrong idea of a pedophile arachnid. I was thinking about things that would scare a child, and I instantly thought of how myself, as a child, I was constantly warned to avoid strangers. In my mind when I was young, strangers were shadowy figures that hung around by the school gates and in the garden at night. That was the sort of thing I was trying to tap into there.
Midnight Meat Train (2008)
I hate the subways, I’ve always hated the subways; they’re dark, dank, merciless and filled with running machines that you can’t control thus you are immediately trapped if you find yourself on the wrong pod in the middle of the night. What if it stops mid tunnel? Will it go? Will it ever keep running? How far does the rabbit hole go, and what’s in these holes we’ve never explored? That’s the questions posed in “Midnight Meat Train,” Ryuhei Kitamura’s tale of a subway serial killer that have been somewhat of an anomaly in the horror world. It’s one that many have desired to see but few have been able to, and I’m glad to say that it’s well worth the wait many of us are enduring that may go on for another year or so. Who knows when the masses will be able to see it, if at all?
All the Boys Love Mandy Lane (2006)
I loved “Mandy Lane,” I can’t deny it. It’s damn good, probably one of the best slashers in the last ten years. A masterpiece? Nah, not really. But what it is is a strong and surprising slasher film with characters that are actually engaging to watch. All the while it sets us up for some of the most vicious kills I’ve seen since “Sleepaway Camp.” Humorously enough, “Mandy Lane” is exactly what I was reminded of while watching, because both films feel like two completely different genre fueled narratives.