Director Christian Anderson’s short horror film is a short I hope turns in to a feature film. I intend to buy it. And re-watch it. Every time I think there can’t be any new material mined from the horror hero gamut, someone always surprises me. “Hell’s Belles” is a fantastic short horror film about two ghost fighting babes named Adria and Helena.
I’m not sure why, but “Ooga Booga” is apparently in the same universe as “Zombies vs. Strippers.” Not only is the strip club mentioned in passing, but Charles Band shoe horns the woefully unfunny and poorly created recurring character Hambo, a dysfunctional children’s show host in to the movie for reasons I can’t possibly fathom. Perhaps these last two films have been produced by the same person who feels the need to jump start their own Hambo movie somewhere in the future, I can only imagine. This isn’t the first time Charles Band has indicated these movies are all in the same universe, but I’m shocked that Band and Full Moon would rely on a recurring character like Hambo. I’d far more expect Full Moon to create a more enigmatic and interesting character to appear in their films to bridge stories from time to time than a perverted clown with a pig nose who hosts a kids’ show. But lo and behold, that’s what “Ooga Booga” feeds us.
Tell me if this exchange sounds idiotic to you:
“I think I might have AIDS someday, doctor.”
“We may never know. I know one solution.”
“What is that?”
“Let’s give you AIDS and see if you have it.”
“I’m in!”
So if a girl is afraid she may be possessed one day like her mother, why on Earth do you bring her along on a dangerous possession ritual that may take the lives of all involved? What does that even prove? “But Felix, we wouldn’t have a movie if she didn’t go along.” Then why even call this a found footage film? Why not just stage it as a feature film?
Just think: Someone at the Asylum offices dug through their piles of Chinese food menus and eventually found the script for “Hold Your Breath” (I’m not including the superfluous hashtag) tucked away. And someone read it thinking this would be the perfect theatrical debut for an Asylum movie. In reality, “Hold Your Breath” should just be another Asylum clunker on DVD, but it warrants a theatrical debut by virtue of the fact that it has minor horror starlet Katrina Bowden attached.
The premise of “Cult” feels like a new age serial version of John Carpenter’s “In the Mouth of Madness.” Wherein the former title examined the rabid fandom of literary fans with author Sutter Cane who was an amalgamation of HP Lovecraft and Stephen King, the new “Cult” examines the sheer lunacy that can arise from the fandom of television shows. The series so far isn’t an indictment on the dangers of fandom, but it does explore how passionate fans can be, and how they can often breed a cult-like following that’ll do anything to honor the spirit of their favorite series.
What’s interesting is that much of the pilot of “Cult” is constructed like the aforementioned Carpenter horror film, where the episode is so absolutely meta and self-contained, that we can never be sure what is reality, nor can we be certain what is a clue for our audience, or what is merely a red herring. What we think is the prologue of the show is something else entirely, the dialogue is often cryptic in delivery, and there are many subtle subliminal clues peppered throughout the episode that could lead the fictional and actual audience to decode the mystery of “Cult.”
This is a side of director Shane Ryan that I’ve never seen before. Intended to be in competition for the winning slot in the highly publicized 2013 horror film “The ABCs of Death,” Shane Ryan gives us “T for Tag.” Now known as “Tag,” Ryan’s short film is a spooky, unnerving, and gruesome bit of revenge cinema that channels the likes of Takashi Shimizu for a short that’s based heavily on violence, murders, and the ever merciless demon of guilt that plagues our young protagonist.
Director Rodrigo Blaas’s short film “Alma” presents the illusion of whimsy and magic at first sight, but deep down “Alma” is one of the spookiest short films made in years. Its entire premise seems to be a metaphor for child endangerment and how easily children could get sucked in to the darkness of the world and disappear forever. The sentient store in the story could very well double for a stranger offering a child a treat, while the young girl in the movie is the child submitting to the temptation and paying a deadly price.