Director Patrick Rea and his Gallery of Nailbiters

Patrick Rea is probably one of my favorite independent directors at the moment and while all of his films may not be home runs, he’s created a veritable gallery of short horror and darkly comedic films that have stormed the worldwide web and spawned a following of folks just waiting his newest yarn that always ensure surprise twists and turns, sharp storytelling, and top notch performances. Ambitious and enthusiastic about his art, director Patrick Rea first started sending us his short films after we began reviewing the shorts we discovered on the net and since then has remained a contact for Cinema Crazed.

In the midst of directing his new feature length horror film called “Nailbiter,” a film that’s remained under wraps and mysterious to most online entities, Patrick Rea took the time out from his hectic shooting schedule in scorching heat to indulge us in an in-depth interview to learn where Patrick Rea honed his skills and how he went from film school student, to Fangoria filmmaker, to co-founder of SenoReality Pictures. If you haven’t seen any of Patrick Rea’s short film we suggest looking for them as they present a keen eye for detail and dark tones while always ensuring a surprise or two that will leave you wanting more.

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The Rite (2011) [Blu-Ray/DVD/Digital]

the-rite2011’s “The Rite” is built around the Hollywood doctrine that any movie, big or small, can be made automatically horrifying if including Anthony Hopkins as one of its stars. Unfortunately that’s not the case for “The Rite” a truly terrible exorcism film that dabbles in the religious hysteria of losing faith and includes about as much exorcist crapola to keep audiences watching with baited breath unsure if they’ll get anything even remotely shocking as what was seen in the William Friedkin classic film from the seventies.

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Shrunken Heads (1994)

Shrunken-Heads-VHS-boxI remember seeing the preview for “Shrunken Heads” back in 1994 during the end of a double feature from the video store and even then I thought the idea was a weird one. A kids movie about disembodied shrunken heads getting revenge on their murderer is unusual. “Shrunken Heads” is a strange god awful movie, but one that affords itself some nostalgic value so while it is a waste of talent and resources, it’s not totally a waste of time. Whether it’s Danny Elfman’s involvement as the sound track artist, or Meg Foster curiously cross dressed as an Italian mobster with a pomp haircut, every single move to this movie is confusing and often times disorienting.

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YellowBrickRoad (2011)

Anyone who is anyone knows that if there is a legend that is set in the woods you never go looking for it to find out of it holds any logical weight in this reality. We’ve seen this movie a thousand times already, but that doesn’t mean it’s not worthy of a watch as directors Jesse Holland and Andy Mitton put together a classic horror yarn that mixes documentary footage with live action footage.

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Insidious (2011)

Assuredly one of my favorite horror films of the year, it’s safe to say that director Wes Craven never stood a chance. With the creators of “Paranormal Activity” and “Saw” behind the horrific “Insidious” it was a safe bet a classic story about ghosts and goblins would do wonders over mere films about slashers and the modern internet age. One part “Poltergeist” and “Altered States,” and two parts “The Haunting,” director James Wans’ ghost story is the classic creaks by the stairs story about an average family who move in to a house and discover that the past residents of the house have decided they want to stay.

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Anneliese: The Exorcist Tapes (2011)

In 2006 when The Asylum’s “Halloween Night” was released, the studio claimed the film about a mental patient that crashes a Halloween party and begins slaughtering the guests, was based on true events because at the time there were reports of a mental patient on the loose and for a moment they were sure the patient snuck in to the party only to be assured he wasn’t. That’s their reasoning for calling something a true event, so I expect the same amount of circular logic and convoluted reasoning from Asylum’s spin doctors for proclaiming “Anneliese: The Exorcist Tapes” completely and one hundred percent true in footage when it becomes painfully apparent from the opening that not only is the film one hundred percent staged, but about as poorly acted as any other Asylum farce to boot.

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Hobo With a Shotgun (2011)

hwasgJason Eisener’s “Hobo with a Shotgun” was such a long time coming it’s ridiculous. With a movie that’s dared to defy all expectations, it’s very much a twisted balance between Troma and pure unadulterated Grindhouse madness that has the potential to reach mainstream audiences with a wider theatrical release. With “Grindhouse” flopping, and “Machete” floundering at the box office, “Hobo with a Shotgun” is a breath of fresh air, a movie so utterly filled with mind-blowing grindhouse tropes and a genuinely interesting story that you can almost feel the piss stained theater floor under your feet, while watching what essentially adds up to being a tongue in cheek and darkly disturbing take on the class warfare in America. This is Jason Eisener’s America, a world where the battle of rich and poor amounts to trips in to Scumtown USA where we lay our scene.

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