The Night Eats the World (La nuit a dévoré le monde) (2018)

Zombie movies have become the superhero movies of modern age where not a lot of people think there can be much original material to mined from it anymore. This year has proven those skeptics wrong with the haunting “Cargo,” and the incredibly complex “The Night Eats The World.” A healthy mix of “I Am Legend,” “Dawn of the Dead,” and “Castaway,” it’s ten minutes too long, but manages to come out in the end as a scary zombie movie with insight about the horrifying world that can linger outside of our doors.

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Cyborg (1988): Collector’s Edition [Blu-Ray]

Albert Pyun’s “Cyborg” is a lot more famous for its back story and production woes than it is for the actual movie. There’s even the famous tale of how much of the sets and outfits for the characters were re-used from the cancelled “Spider-Man” movie, and sequel to “He-Man” that Golan Globus failed to finish. It’s a shame, because in the eighties when a whole sub-genre sprang from the success of “Mad Max,” we got a whole library of post apocalyptic action films with gritty warriors charged with saving mankind or something like a child or village. In a massive sub-genre of B grade copycats, “Cyborg” is one of the best.

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The Domestics (2018)

It’s the end of the world as we know it, and every single surviving human has broken up in to fractions, mini-societies, and tribes that delight in murder of others, and survival of the fittest. “The Domestics” is “The Purge,” meets “Red Dawn,” meets “Mad Max,” meets “The Warriors,” with a dash of “It’s a Mad, Mad, Mad, Mad World” for good measure. Let’s face it, at the end of the day its pure blissful, loony post apocalyptic movie porn and hot damn if I didn’t love every single minute of it from beginning to end.

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Jurassic World: Fallen Kingdom (2018)

It’s a shame that we’ve reached this milestone, but it warrants noting that “Jurassic World” is the first “Jurassic Park” movie to ever put me to sleep. I’m not saying “Fallen Kingdom” is an awful movie, it’s just that it’s not a very good one. If “Jurassic World” became a Saturday morning cartoon to entertain kids between bowls of cereal and bathroom breaks, “Fallen Kingdom” would be the pilot episode. It’s thin on narrative, but crowded with a ton of half baked, under developed characters, all of whom are so paper thin we barely get to know them, or engage ourselves with them all over again.

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Tomb Raider (2018) [Blu-Ray/DVD/Digital]

I’m usually very rough on video game inspired movies because—well—pretty much all of them suck. Save for “Mortal Kombat,” which is kind of fun if you’re in the right mood. After two goofy attempts to adapt the iconic adventure video game series “Tomb Raider” to the big screen, Warner reboots the movie series by—adapting the reboot of the video game from 2013. While I’d be hard pressed to call Roar Uthaug’s cinematic take on Lara Croft a masterpiece, I had a really good time with “Tomb Raider,” and that’s all I wanted in the end.

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The Strangers: Prey at Night (2018)

It’s a shame that “Prey at Night,” the long awaited sequel to “The Strangers” hit like a thud in 2018, because it sure is a top notch follow up to the atmospheric original we saw a decade ago. Where as the original was more an homage to the Manson family murders, “Prey at Night” is a slick hodgepodge of slasher and thriller nods and winks that paint our trio of Sack Face, Pin Up Girl, and Baby Doll as more aggressive individuals that spend less time tenderizing their victims before they go in for the ultimate kill.

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The Strangers (2008): Collector’s Edition [Blu-Ray]

Director Bryan Bertino’s horror debut is a masterful thriller about the presence of pure evil and the relentlessness of it. Some of the best horror villains of all time are those without much conscience or logic, and the trio of killers that stalk a hapless pair of married people in “The Strangers” are almost horror incarnate. While “The Strangers” is based on the whole Manson Family murders, truthfully it pits its focus on how purely evil humanity can be. Even when obscured by masks, the trio of stalkers prominently featured is human down to the core, acting without much rhyme or reason.

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