It’s been a very long time since Michael Myers was such an imposing or scary horror figure. After many years where he became a reality star getting his ass handed to him by a hip hop star, and being turned in to a hillbilly, it’s good to see Michael Myers once again return to the form he arrived in as “The Shape.” Directed by David Gordon Green, “Halloween” (or “H40,” if you want to get very technical) won’t be for everyone, as it is a mixed bag that makes a controversial decision with its narrative and the mythos. In the end, though, I had a great time, and would recommend it, especially for the horror base looking for a good return to the universe Carpenter specifically established.
Tag Archives: Suspense
Trick r Treat (2007): Collector’s Edition [Blu-Ray]
Michael Dougherty’s “Trick r Treat” is a contemporary success story that’s enamored horror fans for a long time. Originally in 2007, Michael Dougherty’s horror anthology was kicked around various studios, pushed back, and shelved. When it finally re-emerged, it was pushed to a DVD release on 2009. Once unleashed on the fan base, it began life as a hidden gem, and has grown to become a bonafide horror classic, almost universally praised. To boot, “Trick r Treat’s” mascot, the burlap sack wearing, jagged lollipop adorning Sam has become one of the modern horror icons, whose bred a legion of fans (as well as a slew of merchandise).
Scooby-Doo! Mask of the Blue Falcon (2013)
As a Hanna Barbera geek, I have to say “Mask of the Blue Falcon” hit all the right notes. I didn’t just have a good time with the surprisingly clever vehicle for the Mystery Inc. crew, but I also had so much fun pointing out all of the Easter Eggs. And yes, every single Easter Egg within “Mask of the Blue Falcon” is a reference to a Hanna Barbera cartoon from the sixties and seventies. I’m just disappointed we didn’t see anything referencing “Butch Cassidy and the Sundance Kids.” What? It’s an obscenely underrated Scooby Doo wannabe, darnit!
Luciferina (2018) [Philadelphia Unnamed Film Festival 2018]
A trainee nun, Natalia, goes home after an accident kills her mother and leaves her father dying. Once home, she discovers family secrets and goes on a self-discovery trip with friends. There she learns even more and puts her own soul at stake.
Writer/director Gonzalo Calzada takes the concepts of good versus bad, god versus evil, Catholic versus pagan, family, legacy, and destiny and plays with them in a dark realm tinged by demonic forces and curiosity. The story here is done in a way that works for its characters, letting them get exposed and built before throwing in the evil/demonic elements. Most of everything here works and goes towards creating a cohesive story and world. Some of the timeline and exposure may feel a bit off as it foes, but it all makes sense by the end. Calzada has a story here that he knows how to tell and he gets it out here on the screen in a way the viewer can easily watch, connect with, and be entertained by.
You Have to See This! Perfect Blue (1997)
In Select U.S. Theaters September 6th & 10th via Fathom Events.
It’s amazing how prophetic Satoshi Kon’s “Perfect Blue” was back in 1997. Even though it was released at the beginning of the internet age, “Perfect Blue” is a very strong and still very relevant tale about rabid fandom, gate keeping, obsession, and the struggles to maintain one’s own sense of self and agency in a world where growing in one’s career means relinquishing our dignity and discretion. In a time where actresses are being chased and harassed off of social platforms, “Perfect Blue” conjures up so much interesting and familiar imagery and plot beats, and ultimately is about the cost of rabid fandom.
Piranha II: The Spawning (1981): Collector’s Edition [Blu-Ray]
James Cameron is one of the many students of Roger Corman who spent a lot of his early career cutting his teeth on doing smaller jobs for Corman and learning the basics. Finally given a shot with “Piranha II,” Cameron delivers a movie that’s terrible, but charming in its terribleness. It’s the beginnings of a blockbuster titan and his ability to serve something up on a grand scale.
Aragne: Sign of Vermillion (2018) [Fantasia 2018]
Saku Sakomoto’s “Aragne” is a real stab at anime horror that embraces its nonsensical story, and never actually delivers a narrative at any point during its run time. “Aragne” is thankfully a merciful hour long film, but one that’s a disorienting, and incoherent experience. And not in the artistic way. More in the realm that Sakomoto seems to have half assed a lot of the film and kind of took it in to the realm where he makes it looks intentional the whole way through.