Director Henry Selick’s take on Neil Gaiman’s vision of a magical world of the macabre is probably one of the most sinister animated films I’ve seen since “Monster House.” Henry Selick takes the same American Gothic motif and injects it in to a classic formula of a young girl finding a magical world being exposed to all the oddities at the director’s disposal. Gaiman penned the grossly underrated “Mirrormask” and essentially provides us with the exact pacing and eye catching creatures and machinations paired with some top notch animation that works as a mixture of claymation and computer animation that gives the dark atmosphere a peculiar more original taste.
Tag Archives: Suspense
Treevenge (2009)
Well if zombies or robots weren’t the harbingers of the apocalypse then it seems only natural that we’d be invaded by pissed off Christmas trees tired of being decorated, pushed around, and inevitably shredded. Jason Eisener, the director of the faux movie trailer “Hobo with a Shotgun,” returns giving us more of a reason to like what he’s doing and what he’s intending to do with the independent film scene. Not only does the man’s style get sleeker and more stylish with every output, but he also knows how to push all the right buttons with clever fare like “Hobo” down to ridiculous material called “Treevenge.”
Drag Me To Hell (2009)
Cast aside all PG-13 biases folks, you’ll be glad to know that even with the rating, “Drag Me to Hell” is one of the finer horror movies released this year. It marks a come back for Sam Raimi who finally returns to the genre that made him and reminds us why he’s one of the greats. While gore is always fun, most times horror excels because of good storytelling and Raimi doesn’t dole out the gore, instead opting to tell a very good horror story that hearkens back to “Thinner.” It’s a classic horror comeuppance tale with themes of karma and revenge that takes advantage of old horror tricks without ever really trying too hard to scare us.
Eaten Alive (1976)
I’ve always said that If you want nihilism and unabashed filmic carnage, you need to look no further than “Texas Chainsaw Massacre,” but Tobe Hooper’s “Eaten Alive” as a follow up almost reaches the heights of pure carnage that his first outing did, but “Eaten Alive” is a film that will properly divide audiences. “Eaten Alive” has a definite potential to it that’s never quite realized what with an irritating uneven pace, and a nonsensical story not to mention that unnerving feeling that this may as well be touted as a sequel to the former. The main downfall is that itching feeling you get that Hooper originally intended this as a follow up and that’s what keeps “Eaten Alive” from ever getting off the ground.
Race With the Devil (1975)
The seventies were all about fascination with Satanism and with the curiosity it begat movies with themes of satanism one of the most famous being “Rosemary’s Baby.” Probably one of the more underrated satanic films, “Race with the Devil” is about being at the wrong place at the wrong time and what ensues is a claustrophobic cult classic that stars Peter Fonda as one of a group of innocent bystanders who witness a satanic ritual and are pulled in to the world of satanic worship for witnessing something they were never meant to see.
Pontypool (2008)
Okay, I’m just going to throw it out there and admit that I didn’t get “Pontypool.” Maybe I’m losing my touch or maybe this is one of the most incomprehensible messes I’ve seen in years, but “Pontypool” makes no sense. It’s abrupt, awkwardly paced, and often times doesn’t even know what to do with the formula it’s set up. We’re supposed to be watching a movie about what I can assume are zombies that have turned in to the walking dead (?) due to a sudden infection that’s carried through the English language. Did you understand that? Because I sure as hell didn’t!
Friday the 13th: The Killer Cut (2009) (DVD)
Let’s face it, Platinum Dunes is a remake factory that’s managed to take some of the best horror films of all time and completely butcher them. Take “Texas Chainsaw Massacre” for one example, a bastardized MTV version of a damn good dose of indie filmmaking. But surprisingly, “Friday the 13th” isn’t a bad film and Marcus Nispel completely redeems himself. In fact it’s pretty damn good. I know I’ve become the small minority of movie viewers who see the film as a great reboot, but I just clicked with “Friday the 13th” and everything it pushed on audiences including the mean vicious SOB that is Jason Voorhees.