Dragon Ball Super: Broly (2019)

Opening in a limited theatrical engagement on January 16th – visit “Dragon Ball Super: Broly” for theaters & showtimes.

I haven’t kept up with “Dragon Ball Super” but thankfully the feature films don’t require a lot of catch up for casual fans. I went in to “Dragon Ball Super: Broly” basically without having known many of the characters, and had a good time just the same. While ““Dragon Ball Super: Broly” is a very good “Dragon Ball Z” film, it’s also a pretty darn good tale about the deeper back story of character Vegeta and Goku, and how deeply rooted their nemesis Frieza has been in their entire lives.

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Rust Creek (2019)

Sawyer Cotter is an over achiever who is very much looking forward to a new job and decides to drive home. While driving home, she accidentally loses her bearings and winds up on a deserted path on the back woods of Kentucky, where she meets Hollister and Buck. The pair happens to be drug traffickers who suspect she might have seen what they were up to. Anxious, they attempt to kidnap her, but Sawyer manages to fight them off and flee in to the woods. As they track her down, Sawyer has to rely on her wits to find her way back home, and becomes a part of a bigger plot involving the drug wars.

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The 10 Worst Films of 2018

I saw a ton of movies in 2018, and thankfully I didn’t see too many awful films in the theaters. 2018 was a pretty great year for film, and while I didn’t have enough time to see everything, the share of films I checked out were mostly passable. Even the really alleged awful films people complained about were just disposable junk, and not worth complaining about, or even reviewing. That said I did find ten particularly bad films in 2018, and these had the dishonor of making the list.

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Bird Box (2018)

Netflix’s horror drama “Bird Box” has been unfairly dismissed and ignored as a blatant rip off of acclaimed horror film “A Quiet Place.” That’s disappointing (especially considering “Bird Box” is an adaptation of a book from 2013) since, while “Bird Box” and “A Quiet Place” share similar tones and framing devices, they’re more companion pieces than copies. “A Quiet Place” examined a family trying to stay together during impossible odds as well as the extremes parents go for their children, while “Bird Box” is ultimately about learning to let go, and the paralyzing fear of losing our children to an outside world that we can’t understand or ever fully trust.

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Bumblebee (2018)

It took us over ten years, but hell, we finally got a great live action “Transformers” movie. The only thought that came to mind while I was watching the opening ten minutes of “Bumblebee” was: Why didn’t we get this in the first place? Why did Sony opt for such a moronic, nonsensical, incoherent mess of a franchise, rather than deliver what is easily the best live action representation of the franchise I’ve seen so far. Everything in “Bumblebee” is the antithesis of what Michael Bay’s movies were, right down to the lack of racial stereotypes, and the jingoism. Granted, there is a meat head military hero with John Cena, but that’s a miniscule nitpick in a movie that’s just such a great experience from beginning to end.

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Spider-Man: Into the Spider-Verse (2018)

Miles Morales was introduced to the Marvel universe in 2011, established in the alternate label the “Ultimate” universe. When that universe’s Peter Parker died, Miles stepped up to become Spider-Man. Since then Morales has become one of the banner Spider-Man iterations that have taken on the mantle of the hero. Morales wasn’t just welcomed in to the primary Marvel universe, but he’s managed to become just as popular as Peter Parker and the original Spider-Man. Some fans will even argue he’s better than Peter Parker’s Spider-Man. It’s general sentiment that’s been accepted by many because Spider-Man is not a person, it’s a movement. It’s a movement where literally anyone can wear the mask and strive for the same goals Peter Parker did.

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