Fanged Fucks: Top Five Favorite Vampire Movies

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This Halloween I’m celebrating the holiday by re-visiting some of my favorite vampire movies. Vampires have been one of my favorite monsters, and I’ve seen every title I could get my hands on from Dracula 1931 to Buffy the Vampire Slayer. I have typically have a soft spot for vampire movies, and have quite a large list of films about bloodsuckers that I can’t boast about enough. While I have a large library of films from the sub-genre I’d love to re-visit someday, I narrowed it all down to five of the best vampire movies I’ve ever seen. These five have constantly popped in to my repertoire time and time again, and never wear out their welcome. These are my five best vampire movies of all time.

What are some of your favorite vampire movies?

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Another Me (2014)

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The Delusseys’ family life is disturbed after the father falls ill. As the family adapts to this, Fay, the teenage daughter, begins to think she has a stalker hellbent on taking over her life and stealing her place and her identity. As things escalate, others start to think they have seen Fay where she was not and she starts thinking it’s someone who looks just like, her doppelganger, attempting to assume her identity. What Fay doesn’t know yet is that her family hides a secret that could possibly explain what is happening to her.

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Celebrating Neil Marshall’s “The Descent”

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I don’t consider it a far off notion to call Neil Marshall this generation’s John Carpenter. The man has delivered his own twisted and original visions of various genres that have ended in some of the most riveting movie experiences I’ve ever had. I first discovered Marshall with “Dog Soldiers,” which successfully combines the werewolf sub-genre with a war movie, resulting in a quite obvious homage to “Assault on Precinct 13.” I’m also a humongous fan of his post apocalyptic tale “Doomsday,” which is his loving ode to the post apocalypse sub-genre and zeroing in on a heroine that’s basically Snake Plissken, even missing one eye, to boot.

Marshall at his best is a raw and relentlessly brilliant filmmaker who can muster up some unique emotions and arouse hot debates among the horror and science fiction community. Marshall’s masterpiece is his odd form of “The Thing,” in where he casts a predominantly female cast, all of whom are confined to one location, forced to fight off delirium, and mistrust, and becoming victim to their landscape, which is harrowing and dangerous no matter where one turns.

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Tickle (2014)

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Corey Norman’s “Tickle” watches a lot like an episode of “Tales from the Darkside.” It seeps with eighties aesthetic, unfolds like a classic campfire tale, and has a great novelty about it that will go over well with horror fans. It’s also a hell of a good Halloween yarn that I expect will really click with fans of the holiday.

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Waterborne (2014)

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This is how the world ends. Not with a bang, but a zombie kangaroo. Ryan Coonan’s short horror film is the prologue of a bonafide zombie apocalypse (and feature film currently in development), all thanks to a contaminated water hole in the outback. Set in Australia, a local park ranger proceeds to take samples from a water hole, despite the resistance of a local who insists that he’s creating an unnecessary hysteria with his testing.

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The ‘Burbs (1989)

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There’s just something about Joe Dante in where he loves to shake up American middle class. We have suburbanites fighting killer gremlins, suburbanites fighting killer toys, suburbanites fighting werewolves, and now suburbanites basically turning on one another. “The Burbs” watches like something of a sick mid-quel of “Rear Window” and “The Trouble with Harry” in where the mundane is flipped on its head and transformed in to a veritable nightmare for a bunch of neighbors in a seemingly small cul de sac.

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Pod (2015)

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A schizophrenic military man, Martin, with heavy PTSD is holed-up in his family’s cabin when his brother and sister eventually come to have an intervention for him. Foil on the windows and constant talk of a pod and military experiment on him as well as others only convinces his brother further that he needs help now while his sister is starting to take his side and believe him. As Martin talks of having the pod trapped in the basement, things escalate quickly.

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