As long as you don’t buy in to everything “The Social Network” tells you, David Fincher’s 2010 film is actually a compelling and engrossing exploration of the evolution of socializing through computers and how it’s shaped and defined our new generation turning us in to passive aggressive bullies and thugs who seek one another out through text and HTML code. David Fincher’s film is not perfect. It’s sexist, sensationalist, and turns an internet revolution in to a mere game of revenge from a lovelorn geek. But for its faults, “The Social Network” is a truly gripping and entertaining courtroom drama about the construction of Facebook, and how it managed to affect every single person who ever came in to contact with Mark Zuckerberg. He’s depicted as a narcissistic social outcast who brought down the walls of class, superficiality and exclusivity by allowing people the advent of elitism by virtue of distance that could allow anyone from the gorgeous woman to the awkward nerd to become the kings of their own personal domains.
Tag Archives: Thriller
Skyline (2010)
I’m still trying to wrap my head around why the Strause brothers included a very superfluous prologue of Balfour’s character being sucked in by the bright lights of the alien ships and then suddenly zooming back to him and his girlfriend in a plane with the card reading “15 Hours Earlier…” Why is that opening scene important to know? What relevance did that have to anything? Did they feel the movie was so mind-numblingly stupid they’d have to lure us in from second one? “Skyline” (a movie Roland Emmerich would groan at) is the “Dragon Wars” of 2010, a movie with a great concept that fails on every conceivable level of entertainment, competence, and creativity imaginable. This is a movie–much like “Dragon Wars”–that should rightfully have been relegated to cable television but somehow warranted a theatrical release all for a PG-13 B grade science fiction movie about aliens consuming Earth and Eric Balfour… well you’ll see.
Assassin's Creed: Ascendance (2010)
As I suspected going in to this originally, “Ascendance” is really just something of a sample of the upcoming game to whet the appetite’s of fans and isn’t really about telling a story as it is setting up the potential for the main arc of the new “Assassin’s Creed” game. There is a lot of foreshadowing, a lot of storytelling and dialogue that’s meant to reflect on events in the game, teases to events about to occur, and even a cameo by a major influential historical figure in the final scene. Admittedly I’ve never played the game nor am I familiar with much the particulars so “Acsendance” is a short film that will be polarizing to just about anyone who hasn’t played the actual game and are unaware of the sequel and its specifics.
Cura Te Ipsum (Webcomic)
In the interest of full disclosure, creator Neal Bailey is a former contributor of Cinema Crazed, and a long time close friend, but we’re reviewing his comic anyway because it’s entertaining.
Web comics are a tough sell. I know for a fact. There are thousands of them out there by many talented artists and writers (I’ve read more in my time than I could hope to list), all of whom have something unique or hilarious to give readers and sadly most of them are a dime a dozen in terms of entertainment. Sometime you’ll come across something original like Penny Arcade, Nedroid, or Movie Comics, and then sometimes… there’s stuff obviously drawn on MS Paint. In the same vein, if they’re stand alone comics that have a different story every day, audiences attention spans can waver and they tend to move on and wait for better comics.
Superman/Shazam: The Return of Black Adam (DVD)
Here’s what I assumed happened with the release of “The Return of Black Adam”: DC and Warner Bros. didn’t have enough creative material to turn the reunion of Superman and Shazam! in to a feature length film, and in spite of Shazam! playing a supporting role, Superman is much too iconic to be used as simple filler before a big animated feature from DC home video, so what they did was take the half hour movie featuring Superman and Shazam! and, knowing no sensible fan would spend twenty bucks on a half hour movie, filled the DVD with other short animated films starring DC third tier characters that were featured on prior DVD Releases. Deep down this feels like DC Comics testing the waters for a Captain Marvel animated movie, gauging public interest and we’re paying them to be a focus group.
Serenity: The Shepherd's Tale
Shepherd Book is one of the greatest male characters of the Whedonverse, one who is bound by his strict sense of morality and religious beliefs, but one who isn’t at all overbearing. He uses his religion as an instrument to help and guide folks, he never uses it as a means of clubbing non-believers over the head. When we see him in the first episode of “Firefly” he meets a band of wicked sinners and criminals, but he never judges. He lives and lets live and that’s likely why he’s become such a beloved fixture of the “Firefly” universe for such a long time. He’s not only the heart of the crew, but he’s also the wise father everyone on the ship needs. By the time we reach “Serenity” and the crew are on their last options against the operative, even Mal has realized that Book is the man he needs in times of great stress who can offer wisdom, knowledge, and strategy where everyone clearly lacks it.
The Red Hours (2009)
Invoking much of the grindhouse elements, director John Fallon’s experimental short thriller is something of a royal mind fuck, one that excels in being about surreal as it possibly can while squeezing in nods to some classic films during the duration of its story. Director Fallon goes against the conventions of formula storytelling with “The Red Hours” a movie constantly blurring the realms of fantasy and reality when a club goer on a night out takes some hallucinogens to spite an ex he sees across the club canoodling with a girlfriend of hers.