1996’s “Daylight” is pretty much just a nineties version of “The Poseidon Adventure.” There’s an eccentric old couple, a resistant tough guy constantly battling with our hero, a cynical woman who bonds with the hero, an epic disaster that is impossible to rebound from, a moment where our characters have to swim under water to make it to a safe zone hoping to escape inevitable drowning, in the climax we see authorities opening a hatch for our victims to escape through, and like Hackman’s hero, Stallone even screams at god as he fights to live in the climax.
Tag Archives: Thriller
The Final (2010)
Well it seems “After Dark” finally pulled it off. They’ve finally brought aboard a movie in to their film festival that may be their most controversial to date. Watching “The Final” made me cringe and feel utterly disgusted all the way through because it’s such a volatile revenge fantasy that’s all too realistic to be taken as just a simple horror film. If you were old enough to experience the horror that was “Columbine” (I still have the newspaper) and the resulting aftermath, you’ll know that we’ve reached a point in our society where the bullied simply can’t take it anymore. Regardless of the circumstances or the lives they may destroy, sometimes people find little to no options in fixing their bullying problems other than resorting to brute violence. Do I condone it? No way. Is it a reasonable solution? No. But when you’re tormented day in and day out without anyone to properly help you, what little choice do you have?
Bitch Slap (2009)
After watching “Bitch Slap” it’s pretty obvious that the only reason it received half the attention that it did was because of the energetic production and the gorgeous women who star in it. The women are absolutely stunning particularly Julia Voth who is just mind blowingly sexy and pulls off her airhead character Trixie quite well. She can bitch slap me any day of the week. But not really. It has its heart in the right place with homages to the likes of Russ Meyer and Quentin Tarantino but in the center of everything this is really nothing more than a soft core Cinemax porno painted to look like a grindhouse throwback.
Cop Out (2010)
In spite of hating almost everything Kevin Smith has ever done, I’ve always given him the benefit of the doubt because he seems like a cool guy. But at the end of the day being a cool guy doesn’t mean you’re going to make a good movie, and “Cop Out” is proof of that. Being just a goon for hire this time, Smith has released quite possibly his worst movie to date, and the very fact that he’s continued to defend it just astounds me. I mean I’ve heard of directors defending their work, but a lemon is a lemon. “Cop Out” is a movie that had the chips stacked against it from the get go. This is not an original Smith production, and it has some of the worst casting of all time.
Deaden (2006)
I’m a real sucker for revenge films and for the longest time I’ve tried to track down this little indie production and see what the fuss was about. This basically mini-budget action thriller is a typical raw vengeance piece that holds pieces of The Punisher, Death Wish and Scarface with just the right amount of Irish edge that keeps the story moving at a brisk pace. The chaos and carnage that is inflicted by our main character Rane is just sadistic, but in the end it’s a sick and demented series of payback plots for a group of sick and demented people.
Léon: The Professional (1994)
In spite of ranking on the top ten lists of many, many movie fans since its release, my love for “Leon: The Professional” was not immediate. As a matter of fact I pretty much disliked it on the first and second outings because I couldn’t quite grasp what Luc Besson was going for with this film. It’s not an action movie, it’s more of a love story set to the tone of bloodshed and corruption, a subtle poetic masterpiece that relies on characterization and artistic strokes of pure raw emotion than some shoot em up gangster flick.
The Growth (2009)
If you’re looking for an indie short that’s both utterly disgusting and very disturbing then I have the ticket for you. “The Growth” is almost like a neo-version of “The Lonesome Death of Jordy Verrill,” where we set our sights on a very lonely mane named Bill who lives a life of solitude and isolation. The man is middle-aged, a bachelor and completely lets his family down at every turn when they attempt to get closer to him. After being set up on a date by a friend, he arrives home completely exhausted and explains to his online friend that in the middle of a date the girl he was with bit him on the shoulder in the heat of passion.