The Top Ten "Kick Ass" Moments

Well, it’s coming, yet another superhero comic adaptation but thankfully this one is different. If you’ve never read it before, “Kick-Ass” is not so much about superheroes as it is about regular narcissistic everyday people putting on costumes and trying to fight crime and somehow finding themselves becoming real costumed superheroes when they just happen to crash in to a real life villain who wants them dead at all costs. There’s a violent karate fighting nine year old, a lot of really disgusting violence, and a storyline that is more realistic than most comic books tend to be. “Kick-Ass” does not stylize being a superhero. It’s rough to read.

Coming up on April 16th is the big screen version with an interesting cast who are threatening to take the box-office by storm and if you’ve ever seen the appealing trailers, you’ll know that we’re in for something quite spectacular. After reading the comic series a while ago, I thought it’d be good to pinpoint the top ten moments in “Kick-Ass” that particularly disturbed or excited us. Believe it or not, “Kick-Ass” is quite a good comic with a creator who managed to make history in comics by creating “Wanted,” another very violent comic turned in to a hit movie starring Angelina Jolie and Morgan Freeman. “Kick-Ass” is a bit more conventional, but damn it looks quite good in spite of Millar’s apparent homophobia and penchant for racial stereotyping. So without further ado…

Warning, since the comic is somewhat similar to the movie, there will be potential spoilers.

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Black Coffee (2009)

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Tran Quoc Bao is a very talented filmmaker who I first was introduced to with his short “Bookie” which was a pretty good neo-noir crime thriller. The only reservation I had with this is that Bao has potential to stage a truly exciting feature length thriller here and whether it’s about the budget or the capabilities to do so, I would love to see this eventually made in to a full length mystery that could fully realize the talents of the entire production crew. “Black Coffee” is a film that aspires to take a page from the Hitchcock book of filmmaking.

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Panic Attack! (Ataque de pánico!) (2009)

Inspired by the online short film “Geweldenaren van Ver,” director Federico Alvarez’s short film (made under a five hundred dollar budget) is yet another tale of indie success that most independent directors can only dream of. Uruguayan director Alvarez posted this short film on Youtube back in 2009 and after the video was posted on rapper Kanye West’s blog, it garnered an immense fanbase, currently has over five million views on Youtube, and Alvarez experienced surprising success, “I uploaded Panic Attack! on a Thursday and on Monday my inbox was totally full of e-mails from Hollywood studios,” said Alvarez.

Now he’s been given a contract by Sam Raimi’s studio “Ghost House Pictures.”

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Alive in Joburg (2006)

The success story behind “Alive in Joburg” is one of the many interesting successes of the indie culture. Director Neill Blomkamp created this short mock documentary film in 2005, gained a cult status, was later expanded into a feature length film becoming “District 9,” gained worldwide praise from critics and genre fans, won many awards and eventually became a contender for best picture in the Oscars. It’s an astounding tale of a humble indie production turning in to a rather fantastic masterpiece.

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The World, the Flesh and the Devil (1959)

JOKdrSaDirector Ranald MacDougall’s 1959 classic thriller is a film that presents a much more shocking and jarring vision of the end of the world than most contemporary apocalyptic horror films and dramas. And that’s mainly because if you’ve never seen this you’d never know that most of the elements from this were stolen by most horror films. Including Will Smith’s version of “I Am Legend,” and even “Night of the Living Dead” to some extent. The last man on Earth is an African American man forced to travel by his wits alone. He is forced to deal with cabin fever and loneliness, tries to contact other human life by radio waiting for signals everyday, and yes, he even props up mannequins around the city to engage in conversations with which not only indicate his sense of isolation but his fading sanity.

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The Box (2009)

THE-BOXWhat director Richard Kelly has done is basically taken Richard Matheson’s short story that worked well in the confines of a thirty minute anthology series like “Twilight Zone” and basically stretched it in to nearly two hours. “The Box” by all accounts should have been an instant win, but it’s a short story stretched in to a grueling two hour period. Kelly continues his fall from grace (Southland Tales, I’m looking at you) creatively by helming a miscast and pretty terribly written loose adaptation of Matheson’s original story that features James Marsden and Cameron Diaz as a Virginia married couple facing dead end jobs and unemployment. Conveniently they receive a package one morning housing a box with a red button that presents to them a most tempting offer.

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Blessed (2004)

blessedI’ve seen many “Rosemary’s Baby” wannabes since I was a kid, many of them hit the mark, many of them missed the mark, but all aspired to reach the greatness Roman Polanski did in his film about Satanic cults and the woman who becomes prey for their horrific goals at resurrecting satan. “Blessed” seeks to take that concept and run with it and wouldn’t you know it? It misses the mark. It misses it by thousands of miles. “Blessed” is such a confused and unfocused piece of tripe that I feel nothing but sadness for the likes of Heather Graham and James Purefoy who just shamble around looking for a direction and can never seem to find any.

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