I admit that I’ve never actually read Norman Partridge’s Halloween horror novel, but I was always very interested in checking it out. Thankfully David Slade adapts it for the big screen and introduces the movie going audience to a small town that’s very heavily steeped in to such a horrifying nightmare of circumstances. Although the movie is thin in exposition and exploration of elements like character, and back story, “Dark Harvest” does manage to squeeze by thanks to its enthusiastic direction by David Slade, ace cinematography by Larry Smith, and excellent flourishes of gore and vicious violence.
Tag Archives: Thriller
Pumpkins (2018)
Director Maria Lee Metheringham’s “Pumpkins” is a film that would have worked so much better as a short form segment in an anthology horror film. As a feature length film, it falls painfully flat. Everything that needs to be resolved about the narrative is literally resolved in the first half hour. Everything else is merely filler that transforms what could have been an interesting revenge tale in to another slasher film.
Natty Knocks (2023)
With these indie horror films set during the Autumn or Halloween, the filmmakers often tend to forget that Halloween should be a spice, not the main ingredient. Dwight Little who is mostly famed for delivering “Halloween 4” give us a movie that is in essence a Halloween movie. And it’s a Halloween movie with a pale faced villain. But it’s not a movie with a certain pale faced villain because, you know, copyright and all that. What could have been a great Halloween flavored horror movie is essentially just a chore to sit through.
Barbarian (2022)
Director Zach Cregger’s horror dark comedy is one of the most unpredictable horror movies I’ve seen in years. After missing it in 2022 due to… circumstances, I’m glad I finally went in to it as blind as humanly possible. It’s a good thing to go in to “Barbarian” blind, because it takes the audience in to twists, turns, and spirals that they simply will not see coming. It begins as one kind of movie, turns in to another kind of movie, and then doesn’t stop shedding its skin to become a completely different kind of beast.
Malicious (2023)
A family goes to a lakeside cabin for a weekend retreat and to reconnect with each other. Once there, a stranger finds his way in the house and things take a turn.
Hellraiser (2022)
It takes a lot for me to invest in a new “Hellraiser” movie as they’ve all but quit trying to give us anything new or interesting. Thankfully director David Bruckner is up to the task of offering not just a new story but a new take on the Cenobites. Despite the troubling title (This “Hellraiser” is not so much a remake, or sequel, but kind of a reboot…?), David Bruckner’s “Hellraiser” film is really quite good. It’s dripping in suspense and terror, and finally brings some mystique to the Cenobites once again. The Cenobites are pure terror on two legs with “Hellraiser” and Bruckner doles out some twisted machinations of the Lament Configuration.
Hellraiser: Judgment (2018)
Allegedly Gary J. Tunnicliffe originally drew up a script for a “Hellraiser” movie which he then retooled in to an indie horror film after it was rejected. Later his concept was reworked in to a “Hellraiser” movie as a means of keeping the series in motion. Without the bits about the Cenobites, “Judgment” feels like a cheap “Seven” knock off about a serial killer that weaponizes the ten commandments instead of the seven deadly sins. It feels like a movie that was made in 2002 with choppy editing and murky directing that made it feel like a music video for Evanescence or System of a Down.