Hellraiser (1987) [LA&M Film Fetish Forum]

Posted on October 10, 2023 by Felix Vasquez

“What is your pleasure, sir?”

Clive Barker’s “Hellraiser” is a purely body horror tale about hedonism in its purest and most raw essence. Even today it’s a very erotic, but gruesome tale about the pursuit of pleasures of the flesh and how it links to a breed of entities that may or may not be pure evil. “Demons to some, Angels to others” Pinhead (technically named “Hellpriest”) proclaims is a representation of the how the cenobites reach deep down in to the pits of sexuality and kink. And no human can ever really be prepared to see what the practices of this otherworld army has in store for them.

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The Mist (2007): 4-Disc Collector’s Edition [4K UHD/Blu-Ray/Digital]

Posted on October 9, 2023 by Felix Vasquez

Almost twenty years later, Frank Darabont’s adaptation of the Stephen King novella is still one of the most relentless and hopeless horror films ever made. “The Mist” is a merciless breakdown of humanity that shows everything from tribalism, religious fanaticism, and the extremes we’re willing to go through to make it one more day. Like Romero’s “Dawn of the Dead,” it all happens smack dab in the middle of a massive grocery store, where every aisle feels like a division of society that has broken off in to their own principles and moral codes. The longer the denizens of the store are stuck in the mist in this confined setting, the more the social structure and all semblance of civilization begins to break down.

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The Exorcists (2023)

Posted on October 6, 2023 by Felix Vasquez

When all is said and done, “The Exorcists” could have been so much worse. And that’s about as good as it gets with Jose Prendes’ horror thriller. As is typical of “The Asylum” studios, “The Exorcists” arrives right around the time of the big reboot of the classic William Friedkin film (I’ll see your two priests and raise you five!). This new film isn’t bashful in hiding its intentions, even styling the title fonts to look similar to “The Exorcist.” Even with all the reservations, “The Exorcists” has a decent concept, but what hinders it is that the script feels painfully under developed.

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The Jester (2023)

Posted on October 5, 2023 by Felix Vasquez

The Jester originally began life like a lot of contemporary horror icons: debuting mainly through short horror films. The Jester was a character that appeared in a series of short horror films until finally garnering his own feature film. Like many modern horror characters, the Jester is a monster that’s all dressed up with nowhere to go. That’s not to say that Colin Krawchuk’s horror film is a bad movie, it just wastes what could be an interesting supernatural monster (if the cards are played right).

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Return to Horror High (1987)

Posted on October 4, 2023 by Felix Vasquez

I have to say that I quite love “Return to Horror High.” Yes it’s convoluted and mostly a nonsensical meta horror comedy about the horror genre, but a lot of the ideas it lays out during the duration of its story are so ahead of their time. “Return to Horror High” (not a sequel, by the way) has the distinction of being cited as one of the precursors to “Scream,” but it really only holds that distinction in how it takes a step back and analyzes horror. Beyond that Bill Froehlich’s film is only really connected in that it’s a slasher with a whodunit twist. The rest of the movie is a pretty nonsensical meshing of storytelling styles, and twists that make no sense. Nonsensical is the key word to “Return to Horror High,” but that’s also what makes it so good.

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The Spine of Night (2021)

Posted on October 3, 2023 by Felix Vasquez

What I loved about “The Spine of Night” is that directors Philip Gelatt, and Morgan Galen King don’t shy away from the fact that their movie is meant to be a modern “Heavy Metal.” It’s an unabashed celebration of Ralph Bakshi, Frank Frazetta, steam punk, and heavy metal right down to the rotoscoping animation that is used to bring the film’s vision to life. The animation is right on par with what you’d expect from the master Ralph Bakshi but I was happy that the pair of directors who write the film kept true to the story that they were telling through the very end.

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