Films like this make me happy I can afford to pay for them because “Layer Cake” is worth the money in the end. Taking off with a very Guy Ritchie sensibility, director Matthew Vaughn who has had involvement with one of my favorite films of the past years “Snatch” creates his own stylish monster of a mob movie with “Layer Cake”. What does the title refer to? Well, that’s basically something left for the climax, but this rampage of sex, booze, drugs, and violence make this one of the best mob movies I’ve seen since “Snatch”. Mr. X is a drug dealer/drug maker who wants to grab life by the balls.
Tag Archives: Thriller
Lara Croft Tomb Raider – The Cradle of Life (2003)
I really disliked the first film, I mean for a franchise that had the ability to be a winning formula, it’s sad the studios completely botched it with a low grade, sub-par, and lackluster film. Sure, it had a sense of entertainment, but that only a hint of it, and it attempted to become a feminine “Indiana Jones” while instead transforming in to a poor man’s “Indiana Jones”. When a video game with controllable characters has more life in it than a movie with real actors, that’s just pathetic. With “The Cradle of Life” I didn’t really expect anything different in terms of quality and depth of story. Angelina Jolie is cute, but hardly has the charisma needed for Lara Croft, and “The Cradle of Life” proves it. And surprisingly Jolie is not sexy here.
Cube Zero (2004)
Just so we know where we stand, I disliked Cube, and hated Cube 2: Hypercube, both films that made the basic horror/science fiction fan cream their pants. Though the concepts were original, the writers and creators did very little with it and thus we were given much repetition in both. One is about a bunch of people in a cube maze with death traps, Cube 2 was just basically a lot more of the same thing, and it seems to me the creators figured out that they needed to change it or else continue repeating the same old stuff, so they created this prequel/semi-sequel called “Cube Zero”.
Cursed (2005)
This is “Scream” werewolf style, with red herrings, a hip cast, endless pop culture references, jump scares and a leading lady who can actually act being forced in to a situation. She even has a spazoid sidekick. Plus there’s that “Scream” style ending with everyone running back and forth and the “Maybe it’s him, maybe it’s her, but no it’s this person!” gimmick. But more characteristically, “Cursed” is a jumbled mess filled with moments that will surely have you repeatedly declaring “That would have been a great sequence”, and I was doing the same thing. Werewolves in the mirror room? Would have been great. Changing in to a werewolf in a public bathroom? Would have been great. Silencing barking neighborhood dogs with a howl? Could have been great. But alas, none of it really is.
Assault on Precinct 13 (2005)
Day of the Dead 2: Contagium (2005)
It’s hard to take a film like this seriously; as a matter of fact calling this a film is very funny in its assumption, but regardless, taking this seriously is a real stretch and requires somewhat of a straight face. My suggestion is to completely shut off any expectations, logic, and common sense and try to make it through the ninety minute crap fest, now there’s an endurance challenge. Be warned though, this is not a sequel in spite of its title; it seeks only to shamelessly market off of the name of Romero’s masterpiece, and it bears no connection other than the title alludes to. While Romero’s film was a brilliant dissection of military corruption and paranoia, this crap fest is just an endurance test of sheer taste and torment.
Dead End (2003)
The whole film goes about itself in a rather coy manner from beginning to end. The writers of this have this constant attitude to the audience telling us “Oh, we’re going somewhere with this! You just watch the magic happen!” But the problem is, there’s no magic and the film goes nowhere and beyond. “Dead End” is a title that has never been so proper of its story, before, because the film is a dead end from the very beginning. The entire film thinks its so clever leading us along these ridiculous sequences all for a “surprise” ending that is so utterly predictable, derivative, and yawn inducing, so the writers take us nowhere and bring us to this zero pay off moment all for the sake of camp.