So, as I’ve mentioned a million times, I’m a hardcore slasher fan. Aside from being a hardcore horror fan, I also am a fan of the sub-genre, and director Alex Pucci and writer Draven Gonzalez really seem to know their stuff when it pertains to slashers, and that’s one reason why I was smiling throughout the entire film. The film opens as you would expect any slasher to. Dark creepy camp, a camp sing-along with a ridiculously catchy hook, and then death. And then more death. The ending though is very similar to the opening of “Friday the 13th”, hell even the score and opening title nearly make it almost identical, and my attention was caught. I loved the opening simply because director Pucci captures the mood very well and almost copies the original film to the tee.
Tag Archives: Thriller
Anacondas: The Hunt for the Blood Orchid (2004)
Baffling: This is a sequel to a really bad B film with a cast of Jennifer Lopez, Ice Cube, Owen Wilson, and Jon Voight.
Obvious: None of them returned for this.
Baffling: This is a sequel (!) to “Anaconda”.
Obvious: It’s really bad.
Baffling: This was released in theaters during the summer.
Obvious: There are no A or even B list actors in the cast.
Baffling: This isn’t a straight to video release.
Obvious: It should be.
King Arthur (2004)
I’m a fantasy nut. You couldn’t really tell but I am a real fantasy nut and am especially fond of the King Arthur legend. Whether or not King Arthur did or did not exist, it’s obvious that the fantasy of his legend never happened, but it is a lot of fun to think so and it’s a lot of fun to study and learn about the Excalibur, the lady in the lake, or the sword in the stone (which ever happened first), and the wizard Merlin cast spells to aid his king in battle or whatnot. Director Antoine Fuqua score yet again with an entertaining and beautiful looking epic that will basically entertain audiences with a riveting action adventure. The film, which is mostly appealing for its production values, really does manage to make for an engrossing two hours that will really involve the audience in what it has to offer. Fuqua creates a very grim and stylish mood that fits what the concept is attempting to accomplish very well.
Harry Potter and The Prisoner of Azkaban (2004)
While “The Prisoner of Azkaban” was a critical success, I’ve discovered a lot of the hardcore fans disliked this movie a great deal. As for the financial success it’s pretty much a no-brainer; these films are made because there’s automatically a built-in audience, but as far as critical success, critics loved the work done by Alfonso Cuaron, and I’m one of them. While it may be true I’ve never read the book, I prefer looking at it from a perspective of an outsider and this is the best installment of the franchise so far. I liked the first film, was on the fence for the less than exciting sequel, but this happens to be the best I’ve seen for this so far. As for the “Harry Potter” franchise, I’ve never clicked with this or its less than–how shall I say–sane fans, but this is a great cinematic marvel.
Collateral (2004)
Max is an average man, your average American man with big ambitions who drives a taxi during the day. He finds that the day is drudging on as usual, a woman arguing with her husband, a few passersby, and still he has little money, and is only a half a foot closer to his dream of owning a limousine company. After a memorable exchange with a pretty passenger, Max’ dreams of breaking free from his work is about to come true when he picks up a white haired older man who makes it worth his while to become his personal chauffeur for the night, little does he know that sometimes wishes can come true as the man he just picked up is a hit man intent on killing everyone on a list and making his deadline and he’s not about to let Max walk away.
American Gun (2002)
“American Gun” is two things. First, it’s a fascinating examination of how one event in your life, one simple mistake can change the course of events and alter your life forever. Second, it’s a fitting send-off to one of America’s great actors. James Coburn, the great James Coburn plays Martin Tillman, a retired man whose family is falling apart. The woman he fell in love with is all but a stranger to him, his daughter Penny is living with them to get away from her life, and her daughter has just run away. Martin is a good man, a man who is doing everything to keep his family together. Weekly he meets with his grand daughter secretly, sneaking her money and conversing with her as she confides with him, he attempts to communicate with his almost non-communicative wife, and he keeps Penny together, but one night she’s killed by the bullet of a gun, and the family shatters further.
Constantine (2005)
While I was interested in watching “Constantine”, I didn’t really get what I was expecting. I never once read a comic of “Hellblazer”, but I know the general gist of it, and despite my disappointment with the miscasting of Reeves and the loose adaptation, I did get more than I bargained for. Constantine was essentially a story that takes place in the UK, but despite the Americanization, it ends up becoming a really solid adult thriller in the end. Constantine is a demon fighter who has been diagnosed with cancer and is now seeking to buy his way in to heaven, and through that journey, director Francis Lawrence who is shockingly a music video director, surprisingly gives some grade A direction for what is rightly a stylish yet very murky supernatural thriller.