Brad Bird is certainly a fun storyteller filled with ideas about science fiction that’s a welcome break from the normal grim and grit of the modern era, I just wish “Tomorrowland” were a masterpiece. If not, I wish it were more than mediocre. As it is there’s a great movie somewhere in the script, there’s just too much narrative and disjointed writing to really see it rise to the surface and hit a home run. “Tomorrowland” is one of the more entertaining messes of the year. It’s a film that doesn’t introduce its heroine until thirty minutes in to the movie, and completely cuts her out of the equation in the finale. “Tomorrowland” is not a bad movie by any means, it’s just the writing is so scatterbrain and haphazard, I couldn’t really appreciate the whole shebang, in the end; which is sad, because I certainly wanted to love “Tomorrowland.”
Tag Archives: Time Travel
Regular Show: The Movie (2015)
There have been very few good things to come out of the new generation of shows from Cartoon Network. One of them is “Regular Show.” It’s a surreal, trippy, funny, and original series that I’ve been a big fan of since it gained acclaim years ago. “Regular Show: The Movie” is basically for the fans that invest a lot in the relationship between Mordecai and Rigby, our two tight knit slacker park workers that can’t be parted, no matter what the future tells them. “Regular Show: The Movie” pays homage to the eighties and nineties in its typical clever and witty fashion, paying nods to classic pop culture of the decades, while unfolding its own very original time traveling tale.
Mr. Peabody & Sherman (2014)
Seeing as I never liked the original animated shorts the movie is based on, I was very skeptical toward “Mr. Peabody and Sherman.” There hasn’t been much interesting entertainment mined from the Rocky and Bullwinkle short series. Surprising enough, “Mr. Peabody and Sherman” doesn’t just adapt the shorts, but expands on them, injecting heart, characterization, and isn’t reliant on pop culture nods and winks to keep the audience entertained. It’s that refreshing element that makes this adaptation such a stellar piece of animation.
Lost in Space (1998)
It takes a special kind of talent to screw up a remake of “Lost in Space.” It’s basically just the Swiss Family Robinson lost in the universe, and finding new worlds and fantastic adventures. They cast Gary Oldman as Dr. Smith, Robot B-9 is given a bold new re-imagining, and yet “Lost in Space” still manages to be so putrid and terrible.I fondly remember anxiously wanting to see “Lost In Space” when I was a teen to the point where I even had a dream about it. After finally seeing it upon its release, it’s kind of sad that the trailer seems to embrace the spirit of the series more than the movie itself.
Terminator 2: Judgment Day (1991)
I may not be the biggest fan of James Cameron, but when he approaches sequels, he hits the ground running and aims for the throat. First with “Aliens,” and then with “Terminator 2” in which a full fledged horror science fiction movie, becomes an action horror film with a wider scope and explorations of time paradoxes and the like. While I much prefer the original mainly for its tone and sense of urgency, “Judgment Day” is quite excellent. I saw it in theaters when it arrived, and years later, it’s still a stellar science fiction film from James Cameron.
Set years after the original movie, Sarah Connor raised John Connor to become an apocalyptic warrior. But after the confrontation with the T-800 cyborg at the bomb factory, she’s arrested and placed in a mental health facility. John is raised by his dysfunctional aunt and uncle and is mostly a wayward youth. The evil Skynet is once again intent on ending the war before it starts, sending a new advanced cyborg back in time to assassinate John Connor. Branded the T-1000, this new cyborg is made of liquid metal that can imitate anything it touches.
Just then, a new model of the T-800 is sent back in time, but this time its mission is to find and protect John and Sarah Connor at all costs. Now with the T-800, John races against the clock to find his mother and avoid every clever assassination attempt by the advanced new cyborg that will stop at nothing to end the Connor bloodline. Skynet also plans to initiate a Judgment day by unleashing a nuclear warhead that will destroy humanity and unleash a robotic rule on the planet. Sarah decides the best cause of action is to murder Miles Dyson, a Cyberdyne Systems engineer whose new computer processor will become the template for Skynet.
Where as the original movie was more centered on a behemoth rampaging through civilization to murder Sarah Connor, this time around Cameron opts for a sleeker new villain that really does pose an even more vicious threat to our heroes. B movie actor Robert Patrick gives a fantastic performance as the seemingly inconspicuous T-1000 whose façade of an average beat cop helps him blend in to civilization and infiltrate any strong hold. He’s made even deadlier with his ability to form massive blades, and sharp objects with his constantly shifting metallic body. Arnold Schwarzenneger shifts his title character in to the hero role, now becoming a protector who also gradually learns about humanity and emotions.
Linda Hamilton is also a welcome face as she reprises her role as the iconic Sarah Connor, whose welfare is of great importance to the fate of the world. Cameron approaches the continuation of his storyline well but never quite as seamless as he thinks. One thing that always bothered me is if they can create a robot made of pure metal that can become anything it touches, why not wait a few years and build a robot that can become a weapon of mass destruction? That way it can appear in John Connor’s general vicinity and blow itself up, thus ending the war? And if the robots can’t grasp concepts like emotions and feelings, why can they understand existential ideas of fate and inevitability? While Cameron never quite masters the ideas of time paradoxes, or time travel in general, “Terminator 2” still succeeds in being a raucous, beautifully directed action epic.
JLA Adventures: Trapped in Time (2014)
Because superheroes fighting crime isn’t enough, DC has to water it down even further for some reason. “Trapped in Time” is only a slightly edgier version of “Superfriends” placing the greater emphases on younger Leaguers and superheroes rather than focusing on the actual Justice Leaguers. That Superman, Batman and Wonder Woman are so square, man. They don’t know today’s youth. Now, whiny impulsive Robin? He knows what the youth is about. Running at under an hour in length, and with a pacing that’s breakneck, “Trapped in Time” is kind of a Justice League movie. But then it really isn’t.
Gingerdead Man 3: Saturday Night Cleaver (2011)
Well, if the writers don’t give a shit anymore, why should we? “Gingerdead Man” has seemingly given up trying after the first film, so I’ve given up trying to make sense of anything that’s happening in this movie series. When last we saw Gingerdead Man he was trolling a movie studio killing actors and directors for some reason. Now he’s being held in a prison with other psychotic baked goods. Spoofing “Silence of the Lambs,” he meets with female detective who wants his help in a case. It’s an obvious satire sans the laughs, but we now know there are other psychotic baked goods out there.






