Bobby Deerfield/ Baby, The Rain Must Fall/The Chase/Ship of Fools – 4 Movie Collections (DVD)

Mill Creek Entertainment offers drama fans four very acclaimed and intresting dramatic features for folks looking to save money. Sydney Pollack directs the 1977 film “Bobby Deerfield,” a film starring Al Pacino as a race car driver who finds himself falling for a mysterious and terminally ill young woman. Through the woman’s final days alive does Pacino’s daredevil character learn more about life. There’s also the 1965 “Baby, The Rain Must Fall” directed by Robert Mulligan starring theg reat Steve NcQuen. McQueen plays Henry Thomas, a young man who loves to sing in his band and is pressured by his mother to go back to school and get his educaiton.

When Thomas’ Wife and daughter come back in to town looking for a home, Thomas gets a new sense of priority. Though McQueen is far fetched as a rockabilly singer in a band, he has a good chemistry with co-star Lee Remick. Marlon Brando stars in the 1966 Arthur Penn directed “The Chase.” In it, Brando a sheriff named Calder known for being something of a puppet who finds a new mission when a local begins having an affair with a gangster Charlie “Bubber” Reeves’ wife.

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The Earth Rejects Him (2011)

Director Jared Skolnick’s “The Earth Rejects Him” is one of the most surreal horror films I’ve seen in a very long time. It’s not often I can watch a movie with a baffled expression and still recommend it as a great film. Not many indie directors know how to direct child actors, and director Skolnick brings out the best in his young cast. Ellis Gage gives a very memorable performance as this young boy who finds himself in an extraordinary predicament and has no idea how to handle it without becoming homicidal.

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Grease 2 (1982)

When I was a kid one of my favorite movies on constant rotation was “Grease.” It’s still one of the most entertaining movies I’ve ever seen, and downright spectacular adaptation of one of the most interesting stage musicals ever introduced to audiences. Upon discovering there was a “Grease 2,” I was ecstatic. Another chapter to one of the most bad ass movies ever made? It’s too good to be true. It was during the middle of the opening number to “Grease 2” that my excitement dropped down to an immediate disappointment and I struggled through what is easily one of the cheapest and worst sequels ever devised.

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Godzilla (1998)

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You have to hand it to Roland Emmerich, his marketing for 1998’s “Godzilla” was fantastic. Before “Cloverfield” enforced not showing the monster until you had your butt planted in seats in theaters, Emmerich and Tristar applied the same marketing with just as much mystery. I fondly recall many of the early trailers for “Godzilla” being packed with questions about what the beast looked like rebooted. Hell, in 1997, I bought the movie book that explored the making of “Godzilla,” and there wasn’t a single picture in the book that gave a clear picture of the new Godzilla.

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Overtime (2011)

213989-overtimeHI dare you to hate this movie. Directors Brian Cunningham and Matt Niehoff create such an entertaining and raucous amalgam of movie genres, that “Overtime” ends up being a very easy and memorable ninety minutes. Often times when directors attempt comedy, they fail big time, but “Overtime” manages to be one of those movies where everything goes wrong, and I laughed through most of the mishaps. Raph and Max are two gangsters that are trying to live their lives by some form of morality, and are trying to see what it’s like to go about their everyday lives without beating or killing someone.

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Hell's Belles (2013)

Director Christian Anderson’s short horror film is a short I hope turns in to a feature film. I intend to buy it. And re-watch it. Every time I think there can’t be any new material mined from the horror hero gamut, someone always surprises me. “Hell’s Belles” is a fantastic short horror film about two ghost fighting babes named Adria and Helena.

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You Have to See This! Faster, Pussycat! Kill! Kill! (1965)

Russ Meyer was a man who loved breasts. He surely enjoyed the female form, but mostly he loved breasts. He fetishized them, worshipped them, and centered his entire career making films that idolized them in some form or another. Russ Meyer is one of the last directors who cast and adored curvy busty women, and though he’s written off sometimes as an exploitation director, Meyer definitely was a dying breed of male. Sure, breasts are still worshipped in today’s society, but not many directors have the guts to reveal them so much in their films.

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