After a few years with an involuntary hiatus (and uh–circumstances wildly beyond our control), this December 31st we’re ringing in the New Year with reviews and articles covering movies and documentaries of the rock and roll variety!
Check back hourly for new articles and rock in to 2024 with us!
Say what you want about Christopher Nolan, but his sense of theatrics and spectacle works wonders in exploring the calculated creation of the Atomic bomb, as well as the life story of J. Robert Oppenheimer. Arguably one of the most destructive figures in world history, “Oppenheimer” is simultaneously a biopic of Oppenheimer as well as a deep dive in to the development, and politics of the atomic bomb and how it changed the world drastically.
I’ve written in great length about director Fred Dekker’s “The Monster Squad” over and over. I love it. I’ve loved it since I was a kid, and I love it now. I wore out the VHS when I was a wee lad, I had a bootleg DVD in my collection when it was out of print for many years, and ever since I love to re-visit it whenever I can. “The Monster Squad” is a drastic departure from director Fred Dekker’s other cult classic “Night of the Creeps,” but like it, “The Monster Squad” is an unabashed love letter to horror movies, and the horror genre in general.
McG’s “Family Switch” is a movie we’ve seen a thousand times before. It doesn’t re-invent the wheel and doesn’t really seek to, at that. It makes it abundantly clear in the big turn of events involving the body switch as the four central characters make blatant references to “Freaky Friday,” “13 Going on 30,” “17 Again,” and “Big.” It’s tough to really judge a movie like this because it’s an easy slam dunk. It’s an easy paycheck for Jennifer Garner and Ed Helms, and current teen star Emma Meyers (off her debut on Netflix’s “Wednesday”) is allowed her own vehicle.
After a meeting of the local New York gangs goes wrong, The Warriors find themselves accused of killing the leader, forcing them to make their way across the city while under threat at every corner.
In this satire of 1930s Hollywood, an art director moves into an apartment building where most people are in the industry or want to be. Soon, he falls for a troubled woman who’s involved with a few people with their own issues. Through this, he wants to make her a star.
Just some advice: If your entire movie’s existence is centered on the fact that you’re an off brand Transformers, it’s a good idea to show us some transforming robots every now and then. After sixteen years (!), Asylum finally scrounged up enough to deliver a sequel to their first high profile mockbuster series “Transmorphers.” They offer us their answer to “Transformers: Rise of the Beasts.” If you didn’t like the “Rise of the Beasts,” odds are you might enjoy “Mech Beasts”—if you’re a fan of actors staring off screen and describing robots rather than ever showing them, of course.
