Despite being one of the most violent games ever released (of its time), in the nineties studios worked hard to water down the series for a younger audience. With that, they effectively killed off any cinematic prospects for over twenty years after 1997’s embarrassing “Mortal Kombat: Annihilation.” Now in 2021, Director Simon McQuoid brings us a new vision for “Mortal Kombat” that’s faithful in many respects, and embraces the gore and grue of the original games. It’s not a perfect movie by any stretch, but it’s a damn good martial arts fantasy when all is said and done.
Author Archives: Felix Vasquez
Space Jam: A New Legacy (2021)
It’s kind of ironic that the villain of the sequel to 1996’s “Space Jam” is named Al G. Rhythm, the physical manifestation of an algorithm who decides the fate of not just star Lebron James but of the Looney Tunes. “A New Legacy” (Or “Space Jam 2”) feels like it was directed not by a person, but a committee of people that followed algorithms about what was appealing to modern audiences, and what was “hip.” The film doubles as a two hour EPK for the HBO Max Streaming Service. “A New Legacy” premieres on the aforementioned streaming service (and theaters), so Warner takes full advantage of exploiting every single (repeat: every single) IP that they have at their disposal.
The Dead Zone (1983): Collector’s Edition [Blu-Ray]
Some of the best Stephen King book to screen adaptations has been television mini-series. That’s fascinating as “The Dead Zone” often feels exactly like a television mini-series. Despite David Cronenberg’s solid direction, “The Dead Zone” is often very episodic. It doesn’t have one streamlined narrative so much as it has vignettes that lead to what you could call the series finale. In retrospect after my first viewing, it’s not at all a surprise that the premise inevitably led to a television series.
Werewolves Within (2021)
Director Josh Ruben has a real knack for taking snowy tundras and creating some prime horror fodder with them. While I didn’t much care for “Scare Me,” he managed to build some interesting tension with just two people in a snowy cabin. With “Werewolves Within,” it’s a bit larger in scale, but still a fantastic peek in to an engaging mystery. Ruben’s film brilliantly mixes Agatha Christie with “The Beast Must Die,” and some of The Coens for good measure.
Fear Street, Part 2: 1978 (2021)
Thankfully, Netflix and Leigh Janiak’s “Fear Street” film series has mostly lived up to its promise, hype and potential, offering a trilogy of films that are entertaining, complex, and steeped heavily in classic horror and folklore. For horror buffs that love horror that revolves around mythology, legends and stories about the past, the “Fear Street” series has managed to deliver two fold with a legend that has managed to carry the films quite well.
Black Widow (2021)
After waiting almost two years (with three delays) for “Black Widow,” there’s something poignant about its entire tone and the time of its release. With Scarlett Johansson leaving the MCU and the series moving on, “Black Widow” is a wonderful epilogue that fills in the holes about Natasha Romanoff once and for all. Natasha was always something of an enigma who we could never really make up our minds about, and the long overdue solo movie gives us the definitive look in to the life of a pretty noble heroine.
The Time Guardian (1987) [Blu-Ray]
Brian Hannant’s “The Time Guardian” is about as vintage straight to video science fiction as it can get. It’s a low budget, serviceable genre entry with a hodgepodge of (what feel like) recycled concepts that never quite gel together, and sadly never comes together even by the time the climax rolls around. It’s “Back to the Future,” “Battlestar Galactica,” “Star Wars,” and “Terminator” all rolled in to one big Ozploitation mélange. At its best it’s only kind of charming in fleeting moments; at its worst, it’s absolutely dull late night cable fodder.