Hereditary (2018)

The first time I was ever introduced to the work of Ari Aster was in 2010 when I watched his demented short “The Strange Thing About the Johnsons.” Much like “Hereditary,” it’s a very disturbing tale that focuses on a family and a heinous secret among the family that threatens to consume them whole. My words do the short no justice. “Hereditary” is very much in that vein, exploring the terror of mental illness, the idea of manifest destiny, the inescapable fate of inherited disease, and how overbearing and abusive loved ones can keep their power over us long after they’ve passed away.

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The Incredibles 2 (2018)

“You can’t count on anyone, especially your heroes.”  – Syndrome

Leave it to Disney and Pixar. They have the stable of Marvel superheroes at their disposal and they approach “The Incredibles 2” not as a cash grab but a sincere look at the idea of superheroes in the modern era. Sure superheroes seem like a great idea in theory, but “The Incredibles 2” uses its concept as a means of exploring the world with superheroes and how it can have its definite upsides and crushing downsides. The first film had the concept of the idea of the meaning of being exceptional, our natural advantages, and how mediocrity has become the norm for society that only accepted stellar, once upon a time. “The Incredibles 2” takes it a bit further dissecting the need for heroes and whether self-reliance is the only thing we have in this world.

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The Strangers: Prey at Night (2018)

It’s a shame that “Prey at Night,” the long awaited sequel to “The Strangers” hit like a thud in 2018, because it sure is a top notch follow up to the atmospheric original we saw a decade ago. Where as the original was more an homage to the Manson family murders, “Prey at Night” is a slick hodgepodge of slasher and thriller nods and winks that paint our trio of Sack Face, Pin Up Girl, and Baby Doll as more aggressive individuals that spend less time tenderizing their victims before they go in for the ultimate kill.

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The Strangers (2008): Collector’s Edition [Blu-Ray]

Director Bryan Bertino’s horror debut is a masterful thriller about the presence of pure evil and the relentlessness of it. Some of the best horror villains of all time are those without much conscience or logic, and the trio of killers that stalk a hapless pair of married people in “The Strangers” are almost horror incarnate. While “The Strangers” is based on the whole Manson Family murders, truthfully it pits its focus on how purely evil humanity can be. Even when obscured by masks, the trio of stalkers prominently featured is human down to the core, acting without much rhyme or reason.

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The Merlin 3 Film Collection (DVD/Digital)

For the first time together on one DVD, Mill Creek assembles the “Merlin” film trilogy, which chronicles the epic beginnings and legacy of the iconic wizard who helped King Arthur in his battles against evil. “Merlin” is one of my all time favorite miniseries and appeared during a time where miniseries on basic network television was still a thing that was used to grab big ratings, and I fondly recall visiting this miniseries again and again. I enjoyed “Merlin” so much, in fact, that I bought the oversized black clamshell VHS from Blockbuster video back in late 1998 and watched it almost every weekend.

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Ninja III: The Domination (1984): Collector’s Edition [Blu-Ray]

Many years later, director Sam Firstenberg’s “Ninja III” is an out of left field mix of horror, action, and ninjas, all of which were very popular in the eighties. I was never quite sure what happened to “Ninja” one or two, but when I was a kid, “Ninja III” was a bonafide favorite of mine that I’d indulge in every time it was on network television. Thankfully I’m not alone as “Ninja III” has become a cult classic that stands alone, much like “Troll 2.” There’s just something fascinating about a young woman and aerobics enthusiast being possessed by the ghost of a ninja, who begins to seek revenge on his past foes.

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Paddington 2 (2018) [Blu-Ray/DVD/Digital]

I didn’t think it was possible, but “Paddington 2” is just as good as the original “Paddington.” It doesn’t repeat the same beats from the original film, but expands on the world we engaged in when we first met the friendly bear. Director Paul King is back and could easily have suffered a sophomore slump with a sequel that was filled with redundancies and pandered to a more mainstream crowd, but thankfully “Paddington 2” stays true to itself, following the adventures of our good hearted bear as he attempts to spread love where ever he goes, and find the good in people.

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