Don Glut is a lover of the golden age of monster movies, and his 1994 documentary explores Hollywood’s fascination with apes. Though “King Kong” popularized the giant ape in film, the idea of giant apes have been around for quite a while and even showed up every so often in silent films. Even by 1994 standards, “Hollywood Goes Ape!” isn’t the most polished documentary, but it does offer a no frills exploration in to ape cinema of all kinds. There are looks at giant ape films like “King Kong” and “Konga,” and odd ball ape movies like “The Ape Man,” and “Superman vs. The Gorilla Gang.”
Author Archives: Felix Vasquez
We Just Want to Play (2013)
I really like where James Cappadoro and writer Frank De Rosa’s heads are with “We Just Want to Play.” There is always someone who is trying to hand us a new kind of college classic like “Animal House” or “Revenge of the Nerds,” and director Cappadoro’s short film has an infectious energy that made it a blast to sit through. The one downfall behind it all is that the movie is only about sixteen minutes in length. Chalk it up to budget or whatnot, but “We Just Want to Play” looks like it has material for at least a ninety minute movie. That said, the current short is fine as it is and works as a very entertaining and fun tribute to classic college comedies about underdogs fighting the alpha males and corrupt deans.
Mighty Joe Young (1998)
It’s really hard to stack up to the original “Mighty Joe Young” which itself was kind of a simpler take on the giant ape tale. While the original remains untouched, it’s really hard not to enjoy the 1998 remake by Disney and director Ron Underwood. While it can occasionally be silly, it’s still a strong new take on the original film with a great cast, great direction and still very good special effects. This new version from director Ron Underwood strays from the original which was kind of a “King Kong” riff, and transforms it more in to a tale of a woman who watches over a humongous ape named Joe. The writers aim to tackle themes about poaching and wildlife preservation within the fun adventure tale, and most times it allows for an engaging tale of friendship and love.
Cauliflower (2017)
Director-Writer Phoebe Torres’ short “Cauliflower” plays out like a skit from a comedy show, and that’s not at all meant to be a slight since it’s a damn funny short film, that also conveys a full narrative in under five minutes. It’s weird how much the fear of looking ignorant can often turn us in to clowns nevertheless, but Torres has a great sense of capturing how sometimes we’d rather feign knowledge no matter how stupid we look, than not admit to ignorance.
Son of Kong (1933)
If “King Kong” was the main feature, than “Son of Kong” is the less than stellar epilogue. After King Kong died in the middle of Manhattan, Carl Denham is suffering a large amount of scrutiny and possible jail time for what he brought on to New York. He now hides out in an apartment away from the press, all of whom are anxious to interview him and roast him about the part he played. “Son of Kong” is not the most action packed film. At barely seventy minutes in length, it’s mostly an adventure comedy about Carl Denham trying to save his reputation, and falling in love with a lonely female performer who follows him to Kong Island.
Return of Kung Fu Trailers of Fury [Blu-Ray]
Severin films feeds the appetites of action movie buffs once again with their second part of “Kung Fu Trailers of Fury.” The region free Blu-Ray comes packed with over two hours over kung fu movie trailers that also delves in to comedy, animation, and drama, even. There are thirty five trailers total that skim over the massive landscape of Asian cinema, and fans will be very pleased to indulge in an uncut look at some of the best and most noteworthy films in the sub-genre. While the trailers aren’t all at even volume, with most of them presenting louder or softer volume as a whole, the trailers are offered in their original aspect ratios.
Channel Zero (2015)
John Nicol’s “Channel Zero” is an unusual but ambitious film that will inspire a lot of avid movie lovers to check out more than once. It’s packed with some heavy ideas and unique themes about reality, and the state of existence, all in the face of what is a pretty vicious prologue and epilogue. Director Nicol has a very striking directorial style that makes “Channel Zero” feel like an absolute nightmare. And though the movie is considerably low budget, director Nicol manages to evoke a world that feels very empty and barren. It’s not very easy to do, especially with independent filmmakers, but director Nicol is able to accomplish that task.