Full Time (2023)

Posted on January 13, 2024 by Felix Vasquez

Éric Gravel’s drama is a movie filled with so much tension and suspense, yet it’s a movie that has no actual villain. There’s no criminal or abusive spouse or corrupt officer. All there is is time that constantly seems to be working against our protagonist Julie. In a world where being a single parent becomes tougher and tougher, Gravel has offered audiences easily the most universally relatable drama in a very long time. Despite its setting, “Full Time” is wonderful often emotionally exhaustive exploration of a single parent, Julie, who is tasked with trying to keep her world above water. This becomes even harder as she’s tasked with caring for two children, both of whom are demanding of her constant attention.

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Destroy All Neighbors (2024)

Posted on January 12, 2024 by Felix Vasquez

Now Streaming Exclusively on Shudder.

A lot of Josh Forbes’ horror comedy is about how much it can remind you of Frank Henenlotter. So much of “Destroy All Neighbors” is Henenlotter from a man going insane, to splatter and gore, to the boldly colored close up shots of the various characters. “Destroy All Monsters” is a movie that I respect for its willingness to be about as random as weird as possible while not having much of a narrative. It’s all paper thin in terms of characterization and basic plot, and mainly is a pitch for an audience that is in the market for just outright insanity, and nihilism. “Destroy All Neighbors” brings it in spades.

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The Beekeeper (2024)

Posted on January 11, 2024 by Felix Vasquez

Jason Statham once upon a time was a guy who seemed like he was going to carry the torch and deliver a brand of unique action film roles. And then somewhere around 2010, he kind of backtracked and just reverted to playing the same variation of Jason Statham that we’ve seen well in to fifteen years now. “The Beekeper” is the latest in a line of what the internet are now labeling “Dad movies” where your everyday Joe becomes a bonafide angel of vengeance. This time directed by David Ayer and written by Kurt Wimmer, the pair team to deliver, so far, one of the stupidest action movies of the year.

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Soul (2020)

Posted on January 10, 2024 by Felix Vasquez

In Limited Re-Release on January 12^th, preceded by the Sparkshort “Burrow.” Check Local Listings.

Also Streaming on Disney Plus, and Available in Stores.

While watching “Soul,” two things came to mind. It’s amazing how much the movie reminded me of Chuck Jones’ “The High Note,” and Norton Juster’s “The Dot and the Line.” Both films perfectly articulate the power of music, and sound and the joy and pain that can come with it. Down to its basest, “Soul” is very much a movie about the power of music and the passion that can arise from it that transcends life and death. It’s probably one of the most unusual animated films from “Soul” in that animation style is so different from anything we’ve seen before or will see after.

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Night Swim (2024)

Posted on January 9, 2024 by Felix Vasquez

It’s always good to see an indie success story and Bryce McGuire’s is the latest. After delivering the pretty creepy short “Night Swim” in 2014, McGuire was able to develop it in to a feature film and, ironically, mid-way through it I found myself thinking “This would work better as a short.” I wasn’t trying for sarcasm, it’s just that “Night Swim” presents only a seed of a potentially scary horror film that never actually feels fully fleshed out or extensively realized. Its penchant for ambiguity is its big downfall as it’s a victim to so many of the typical haunted house tropes, banal fake outs, and clumsy ghost scares, without ever trying to re-invent the wheel.

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Suitable Flesh (2023)

Posted on January 9, 2024 by Felix Vasquez

Now Streaming for Rent.

“Suitable Flesh” feels like a movie displaced from the nineties. It feels like a film that would have originally starred Linda Blair and Julie Strain in the duel roles we see in Joe Lynch’s newest horror film. In many ways that’s both a pro and a con as “Suitable Flesh” is completely out of what director Joe Lynch typically delivers. While “Suitable Flesh” pegs itself more as Lovecraftian body horror, the movie leans very heavily more on erotic camp revolving around a lot of body switching and hyper sexual violence. While the movie will definitely have its fans, at the end of the day “Suitable Flesh” and I just didn’t click with it.

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