Dylan Tuccillo’s short drama is not what I expected it to be and that might be its best weapon. It’s a movie about marriage, and regret, and ultimately the lengths some of us will go through to correct what we think is the right course. Director Tuccillo really is great at catching the audience off guard, setting down on a normal hectic marriage one day where a trio of friends is bouncing back and forth with Josh, the best man trying to smooth things over between the bride and groom.
Author Archives: Felix Vasquez
Marie (2014)
Director Alfredo Tanaka’s short film is more about the experience and technical prowess he presents than about the narrative. The narrative, to its credit, feels a lot like some kind of contemporary folklore that breaches the ideas about tragic love and living up to the wealthy and elite. “Marie” is a weird and absolutely bizarre movie, but one that works well thanks to the pretty great direction, top notch editing, and just bang up make up effects.
Moana (2016)
I dare say that not only is “Moana” a better film than “Frozen” but the music is better. I know that’ll leave many aghast since “Let It Go” is a massive earworm (I personally prefer “Love is an Open Door”), but I think “Moana” is so much more well rounded and catchy. Everything from “How Far I’ll Go” and “You’re Welcome” don’t just contribute to Disney’s legacy of catchy traditional music, but they also do their job of establishing characters so much better. I loved “Frozen,” but I think “Moana” has a more cohesive pacing and interesting narrative.
T.I.M. (2024)
Now Streaming Exclusively on Netflix.
It’s a tale you’ve seen a thousand times by now. It’s as old as Frankenstein. A tech device or system meant to benefit us ultimately becomes our worst enemy and takes on sentience. I saw two last year with the awful “Margaux” and the fun “M3GAN.” Now with studios hoping to garner the same success as the latter we get “T.I.M.” Spencer Brown’s science fiction thriller doesn’t bring anything new to the table, nor does it re-invent the wheel. Despite Georgina Campbell giving her all, “T.I.M.” is pretty much dead on arrival as a flat, dull, and irritating thriller about an obsessed AI.
Every Bugs Bunny Ever: Easter Yeggs (1947)
Easter Yeggs (1947)
Directed by Robert McKimson
Written by Warren Foster
Music by Carl W. Stalling
Animation by Charles McKimson
The 500th animated short released from Warner Bros., “Easter Yeggs” is so much funnier than I remember it being, as I always typically found it kind of obnoxious in the past. Recently it’s earned a place in the tops list mainly for the fact that it’s so chaotic, and delights in delivering so many funny gags. To make things more interesting, “Easter Yeggs” has three villains, all of whom are scheming to make Bugs’ life difficult, and it amounts to a hilarious challenge for the character. One of the earliest holiday themed shorts from Bugs, it’s only a drop in the bucket of a long line of Warner animated shorts that took myths, legends, and fairytales and distorted them for the sake of comedy and or chaos.
Saltburn (2023)
Now Streaming on Amazon Prime Video.
Barry Keoghan presented such a heartbreaking and nuanced performance in “The Banshees of Inisherin,” it’s pretty excellent to see how much he’s snuck up on movie fans over the years. “Saltburn” is that movie that he might be known for, for a long time because while that might seem like a slight, it’s astonishing how good he is here. Keoghan is wonderful at playing the chameleonic Oliver Quick. Keoghan portrays such a layered and complex protagonist whose shades of morality are often at odds with what the audience is allowed to perceive.
The Bob’s Burgers Movie (2022)
What “Bob’s Burgers” has always excelled at is making us laugh while also making us well up with emotions. Loren Bouchard has a real challenge ahead of him developing his short form comedy series in to a feature film, and despite some tumbles narratively, it’s a success. The series has a knack for making me laugh and cry and Bouchard delivers on both fronts. Only this series can feature a hilarious gag of Linda trying to sell burgers in a bikini in one beat, and then revealing the origin of Louise’s rabbit ears in the next beat. Suffice to say I never expected the writers would ever give us a reason as to why Louise is so devoted to her rabbit ears, but the explanation left me on the verge of tears.