Man is “The Shutterbug Man” amazing. The only complaint I can lobby toward it is that it feels more like a prologue to a feature length horror film than an actual short, but i hope director Christopher Walsh turns this idea in to a horror movie somewhere down the line. Told in brilliant and haunting Stop Motion. the legendary Barbara Steele narrates the tale of “The Shutterbug Man.” With simplistic albeit immensely effective and haunting stop motion, Christopher Walsh tells us the tale of the Shutterbug Man, a local who spent his time taking pictures. He could only really take pictures of horrific sights and suffering as it granted him a sick pleasure.
Category Archives: A+ Indie
Dead Sharks (2015)
Nic Barker’s short film is an idea that could have easily translated in to a compelling romance drama. Barker practices the idea of mumblecore and it works beautifully to convey a foursome of relationships that have either reach their expiration date, or are about to very soon. “Dead Sharks” is more of an ensemble drama based around the Woody Allen quote about how relationships have to move forward like sharks or they die. These relationships are attempting to move forward, but it doesn’t take a genius to see they’re dead.
Occupants (2015)
For anyone like me who take interest in the concept of parallel worlds, director Russell Emanuel embraces the found footage sub-genre while also dodging the gimmicky trappings in favor of a much more intelligent genre title involving the scientific idea. “Occupants” explores the theory of parallel realities, and how it’s theorized our lives can align with alternate versions of ourselves. Much like “Paranormal Activity,” Emanuel sets his film primarily in one setting, but the similarities end there. Emanuel has his finger on the pulse of science fiction, exploring a realm where every movement is intricate and our characters begin to dabble in the God Complex resulting in some absolutely horrendous consequences.
Avenged (2015)
I wish “The Crow” sequels took as much of an advantage with a creative premise as director Michael S. Ojeda does with “Avenged.” While his film isn’t exactly a revenge masterpiece, it’s a strong contender for one of the finer revenge films of the past five years, working as a tragic love story, and a vicious horror themed tale of vengeance. Amanda Adrienne Smith is rather compelling as the victimized Zoe, a deaf mute who ends up at the wrong place at the wrong time.
World of Tomorrow (2015)
The crude animation for “World of Tomorrow” seems like something that would distract from the overall experience, but thankfully Don Hertzfeldt’s short is still very powerful. The impact of the message and the ideas about time travel and unchangeable destiny still resonate, and the crude animation and simplistic voice work almost seem to compliment the abstract ideas presented here.
Caesar and Otto’s Paranormal Halloween (2015)
I admit I’ve always enjoyed Dave Campfield’s horror series “Caesar and Otto” despite the duo delivering hit or miss adventures. Every film since their introduction has been one self contained ode to some facet of horror, and Campfield has a surefire love for the genre of horror and comedy that he tries to bring to the forefront with his characters of Caesar and Otto. With “Paranormal Halloween” I think Campfield is at his best, because with the misadventures of Caesar and Otto comes bit of scorn that emanates through every moment of the film. Campfield is always self aware but in “Paranormal Halloween,” Campfield seems to have reached the point where he’s delivering his own idea of great horror, and is trying to figure out how to hit the right note and deliver something for a wider audience.
Tickle (2014)
Corey Norman’s “Tickle” watches a lot like an episode of “Tales from the Darkside.” It seeps with eighties aesthetic, unfolds like a classic campfire tale, and has a great novelty about it that will go over well with horror fans. It’s also a hell of a good Halloween yarn that I expect will really click with fans of the holiday.







