Vicious (2015)

Posted on March 23, 2016 by Felix Vasquez

“There is no terror in the bang, only in the anticipation of it.” – Alfred Hitchcock

Oliver Park’s “Vicious” is a masterfully done short horror film that’s light on the exposition but packs in a powerhouse of a fright. I literally flinched back in my seat while watching “Vicious” and it takes a mighty good horror film to inspire that kind of reaction from yours truly. “Vicious” is indicative of a major directorial talent and Oliver Park deserves to go on to a bigger cinematic career. I think he can deliver a truly excellent feature length horror film if given enough resources.

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Some of My Best Friends (2016)

Posted on March 21, 2016 by Felix Vasquez

It’s the sheer absurd humor of Director and Writer David Cornelius’ short comedy film that I really enjoyed. It’s such an inexplicable scenario transformed out of a mundane situation involving a group of friends playing poker that I quite enjoyed where he was going with it. Even if director Cornelius never quite drew attention to the fact that a group of friends were casually playing poker, one of whom was a puppet, I still would have gotten a good laugh out of the unusual humor on display.

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Knock (2015)

Posted on March 17, 2016 by Felix Vasquez

I have to give it to Joseph L. Martinez, “Knock” is a fun and scary Halloween treat that should be watched by folks that like their scares short but sweet. “Knock” is based around a simple premise but ends on a delightfully clever bang. Murielle just spent Halloween night with her friends in an abandoned mine. Said mine allegedly houses the spirit of an ancient witch who stalks you if you knock on the mine walls three times.

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Darth Maul: Apprentice – A Star Wars Fan Film (2016)

Posted on March 7, 2016 by Felix Vasquez

As a Star Wars fan, one of the biggest disappointments of sitting through 1999’s “The Phantom Menace” was watching the creation of one of the most amazing villains of the “Star Wars” cinematic universe, only for him to show up for about five minutes, be killed, and then never spoken of again. This character that was on mugs, and t shirts, and posters was almost non-existent in future films. “Apprentice” is a fantastic and dare I say perfect, fan film that shows what would have happened if George Lucas subtracted twenty minutes of screen time from Jar Jar Binks in favor of more emphases on the sheer danger and threat that was Darth Maul. Maul should have been the recurring villain in the prequels and could have salvaged the otherwise terrible films.

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Refuge (2016)

Posted on February 25, 2016 by Felix Vasquez

Andrew Robertson’s post apocalyptic drama is quite the accomplishment. it’s almost like a zombie film without the zombies, focusing primarily on the threat of mankind and how ugly we can be when the resources run low. Robertson’s film presents a villain in every person that the family we center on meets, and how vile people can be when they’re hungry and dehydrated. “Refuge” is set directly after a pandemic involving a plague that is untreatable with any known antibiotics. After most of the population is wiped out, the rest of mankind is left foraging for food and trying to maintain some sense of humanity.

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Night of the Slasher (2015)

Posted on February 10, 2016 by Felix Vasquez

Director Shant Hamassian’s short horror film is a rather excellent meta-tale that takes the classic horror slasher movie tropes and places them in to a new light. What if you could control the idea of the slasher coming to your door attacking with you a set of rules a la “Scream”? That’s the case for a young beautiful girl who is home alone at night. When we first see her, she’s this insanely sexy girl dancing in her lacy skivvies, but upon fully glancing at her person are a witness to the stitched wound she wears on her throat. The scar and silence says all, as she was clearly the victim of a vicious attack by a killer meant to end her life, but somehow survived.

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The Woods (2014)

Posted on February 9, 2016 by Felix Vasquez

Director Remington Smith’s “The Woods” is quite an accomplishment, mainly because it’s a film set in the middle of a snowy tundra implementing zero special effects. The centerpiece of “The Woods” is our character’s surroundings and how she has to adapt to the snowy wasteland of the woods. Apparently Smith and cinematographer Joshua Yates used mostly natural lighting for their film, resulting in a masterfully eerie and haunting short film set during a fight for survival. There’s so much conveyed in “The Woods” and yet there isn’t single word of dialogue spoken.

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