Men in Suits (2012)

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Director Frank H. Woodward’s “Men in Suits” is one of the best film related documentaries ever made. It’s an insightful and entertaining look at a rarely covered corner of Hollywood that’s gone unnoticed and uncredited since the beginning of film. “Men in Suits” is a fantastic chronicle of the facet of Hollywood films revolving around men that dress up as monsters for horror, fantasy, and science fiction, and bring to life many of the most iconic and horrific monsters ever put to film. Woodward chronicles how the art form began in the golden age of filmmaking, and has become something of a rare form of performance art in the era where studios are dependent on CGI and polygons.

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State of Emergency (2010)

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I always think that if an independent filmmaker is going to make a zombie movie, focus on characters if you can’t deliver hordes of flesh eating zombies. While I’m not sure how director Turner Clay approached the script initially, “State of Emergency” is sparse on zombie carnage, but rich in human drama and characterization. Most of “State of Emergency” focuses on a small cast of survivors trying to wait out the zombie apocalypse, and how they deal with their day to day activities. Whether its boredom, restlessness, and desperation for help, director Turner Clay unfolds his narrative wisely, adding an ominous presence to his zombies, while also transforming our protagonists in to characters we can root for, and empathize with.

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Invasion of the Scream Queens (1992): 20th Anniversary Edition

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Director Donald Farmer’s “Invasion of the Scream Queens” is an interesting memento of the horror world that should be preserved for posterity. Film lovers in general seem to have a very low opinion of the scream queen and how crucial they are to horror films, while they’re a mostly undocumented period of the horror and video era. “Invasion of the Scream Queen” centers on almost a dozen beautiful scream queens, all of whom sit down with director Donald Farmer to discuss their experience in the business of horror filmmaking, and their thoughts on acting.

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The Texas Chain Saw Massacre (1974): 40th Anniversary Edition [Blu-ray]

TCM40Forty years later and there’s still nothing like “The Texas Chainsaw Massacre.” Not a single film no matter how brutal has managed to be as unsettling and nerve rattling as Tobe Hooper’s masterpiece. It’s astonishing how Hooper’s master work hasn’t aged a day and still retains much of its raw guerilla filmmaking aura. The man and the cast suffered to make his horror thriller about maniacs in the South, and it shows through every single film cell.

“The Texas Chain Saw Massacre” is a horror film I not only respect, but revere, if only because it bears such a realism to it that feels as if Tobe Hooper let loose a bunch of lunatics on an unwitting cast of actors. Much in the realm of Ruggero Deodato’s “Cannibal Holocaust,” there’s the sense that Hooper clings very closely to reality, and covers every single aspect of this vicious environment. You can sense the thick stifling heat, the horrific confusion and chaos, and Leatherface. Leatherface is still the wild insane rabid dog let off of his collar, free to roam as he pleases. Gunnar Hansen as Leatherface is still a terrible force of nature who spares no one, and inflicts immense punishment on the flower children.

It’s interesting to see how Tobe Hooper doesn’t just provide a flawless masterwork of horror, but also manages to depict a very rotten and disgusting environment by sight alone. Every aspect of “The Texas Chain Saw Massacre” feels very aged and filled with years of decay, and Hooper is a master at creating so much out of very little. Hooper’s horror film is still an iconic artifact in grade A horror filmmaking, as well as building an entire narrative around chaos and pure anxiety. From Sally’s forced attendance at the family dinner, to her insane cackling in the final scene of the film as she bathes in blood, director Tobe Hooper’s film takes on a pulse all its own that’s yet to be duplicated or rivaled to this day.

The 40th Anniversary Edition comes with four audio commentaries. There are about six hours worth of commentaries, with director Hooper sitting down with the surviving cast and crew of the film. There’s an audio commentary with Director/Writer/Producer Tobe Hooper, Actor Gunnar Hansen, and Cinematrographer Daniel Pearl, there’s a second commentary with Production Designer Robert Burns and cast members Marilyn Burns, Allen Danziger, and Paul A. Partain. There’s an audio commentary with Tobe Hooper, and finally a commentary with Cinematographer Daniel Pearl, Editor J. Larry Carroll, and Sound Recordist Ted Nicolaou.

The Horror Network Vol. 1 (2014)

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Now this is what I call an anthology horror film; Brian Dorton’s collaboration with three directors amounts to a mature, complex, and terrifying series of short horror segments. And though the budget is low, the directors use the chance to explore the human monster, rather than mythical ghouls and goblins. There’s nothing scarier than the evil humanity is capable of, and “The Horror Network Vol. 1” is a fantastic display of talents, exploring the humanity collapsing in on itself in five incredible tales of horror. If any indie horror film deserves distribution, it’s “The Horror Network Vol. 1,” an anthology horror film that will appeal to horror fans that appreciate subtext, and ambiguity.

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Scare Zone (A Conjuring Halloween Tale) (2013)

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I wasn’t expecting to like “Scarezone.” I didn’t go in to it wanting to hate it, but I was not looking for anything resembling something watchable, either. In the end, “Scarezone” surprises as a solid horror effort that mixes comedy, horror, and a slasher whodunit in to a charming indie genre installment. It’s also nice to see an indie film take a horror attraction and use it to the advantage of the film to induce suspense and tension. “Scarezone” has its faults, but I’d definitely recommend it for experimental fans that appreciate films like “Popcorn,” and “Scream.”

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Ghoulies III: Ghoulies Go to College (1991)

ghouliesiiiThis is about as low as sequels go. At least for third rate horror franchises. “Ghoulies” was never sure what the hell it ever wanted to be, and “Goes to College” shows. The third part in the series shows them as nothing more than annoying little monsters that wreak havoc by inflicting pain, though never really murdering anyone. In fact they’re really nothing but third wheels in what feels like a stale campus comedy about prank wars with the Ghoulies attached for a wider audience. Before the ghoulies actually pop out to terrorize people, “Ghoulies Goes to College” watches like a fourth rate “Revenge of the Nerds” wannabe, about two warring frats and their ever lasting prank war.

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