The zombie anthology movie is here and director Jesse Baget undertakes quite a task in delivering ten very diverse and interesting zombie tales set amidst the zombie apocalypse. It’s “V/H/S/” meets “The Zombie Survival Guide” with a dash of “Zombieland” as director Baget doesn’t collect a series of shorts from very talented directors. Instead his anthology is a raucous celebration of all things zombie for horror fans in the mood of an all out orgy of torn limbs, guts, and the undead. “Zombieworld” is set with a darkly comical framework where star Bill Oberst Jr. gives a great performance as the boisterous news reporter Marvin Gloatt. While the world is under siege, Marvin decides to gives audiences a play by play of the end of the world, despite being bitten on the neck by one of the walking dead.
Category Archives: A+ Indie
We’re Goners It’s Fine Relax (2014)
Director Samuel B. Ruseell’s short dramedy about trying to fight the rising tide of nature is fantastic. Not just because it plays up its low budget with a purposely low tech aesthetic involving miniature props, and blatant green screen but because of its message.
Grave Shivers (2014)
It’s hard enough to produce a decent anthology horror film, but director Brent Sims composes a trio of horror tales with a fourteen minute window. You wouldn’t think it were possible since a lot of anthology movies get ninety minutes and botch it big time (ahem—“Tales from the Hood”), but director Brent Sims’ horror anthology short isn’t just a success, it’s an impressive horror film altogether. Filled with imagination, excellent plot twists, and incredible special effects, “Grave Shivers” is a dark horror comedy that delights in offering audiences the unexpected.
WolfCop (2014)
Director Lowell Dean’s indie horror actioner “Wolfcop” is probably one of my favorite superhero movies of the year. While it’s a loving tribute to horror schlock, it’s also an unabashed superhero movie filled with mythos, a bonafide origin, and even a customized vehicle that our titular wolf cop travels around to maul bad guys in. You’d think wolf puns and a Dirty Harry-esque vigilante with claws would be a complete and utter misfire, but director Dean embraces his premise and offers up a great horror action comedy.
Exists (2014)
For audiences that didn’t appreciate the year’s more subtle anti-found footage film “Willow Creek,” director Eduardo Sanchez offers a more action packed and frightening alternative involving the mythical monster. “Exists” is a creepy and vicious found footage horror film with a surprising amount of heart and depth to it, to boot. Surprisingly, director Sanchez works around the found footage gimmick, supplying a score and editing that make the film neater and less like actually found footage. This may irk hardcore enthusiasts of the sub-genre, but it’s a welcome change of pace from the typical format. Especially since Sanchez runs the risks of repeating the same beats from “Blair Witch.”
The Eidolon State (2014)
There are endless internet memes and faux urban legends out there, but the one that tends to spook me most is the Slender Man. It’s been established long ago it was all made up for a contest, but it’s managed to achieve fame simply because the character is so menacing. Maybe it’s the blank face, the enigmatic origins, or the tweed suit. Who knows? “The Eidolon State” is one of the many indie films tapping in to the fanbase, and directors Dion Cavallaro and Paul Thomas know how to build a very atmospheric horror film.
Eyes in the Dark (2010)
Say what you want about the found footage sub-genre, but director Bjorn Anderson smartly takes from “Cloverfield” and builds an intriguing gimmick. Naming his movie “Eyes in the Dark” leads the audience in to a very tightly wound and spooky found footage horror film where a group of hapless individuals wander in to the Cascades and are stalked and hunted by glowing red eyes in the dark. Part of the fun is finding out what the red glowing eyes are, and the mystery of the unknown is a valuable tool that director Anderson implements for his audience.