So we’re two reboots and eleven movies in to the god awful “Children of the Corn” movie series, and the studios simply will not let it die. “Children of the Corn” 2023 stinks of the studio trying its best to retain the IP for the sake of more cheapo sequels down the road. It shows with what is a pointless and painfully dull reboot of the series that features none other than director Kurt “Gunkata” Wimmer slumming it, big time.
Category Archives: Movie Reviews
Cocaine Bear (2023)
With “Cocaine Bear” you’re either in for the ride, or you aren’t. Going in to Elizabeth Banks’ horror comedy, I knew exactly what I was getting, so I had a blast with it, suffice it to say. Everyone in the film seems to know what kind of movie they’re in as it wears everything about itself on its sleeve. It’s a movie about a rampaging black bear on a coke trip. What more are you expecting?
Back to the Drive-In (2023)
In 2020, when the pandemic hit America and the government was demanding strict social distancing laws, the sudden need for the American Drive-In signaled an incredible renaissance. What was once considered an antiquated facet of movie going suddenly began thriving once again. Everyone in desperate need of the experience of movie going took their vehicles to the lots again, and it indicated that no matter what happened, you couldn’t kill the movies. Then the pandemic loosened its grip on the country.
Winnie-the-Pooh: Blood and Honey (2023)
One of the things I hate worse than a bad horror movie is a boring one. I can take that the producers of the film took the IP of “Winnie the Pooh” and turned it in to a slasher flick. People have been doing that for decades, and now with “Winnie the Pooh” in the public domain, we’re going to get so much more Winnie the Pooh iterations. The problem with “Blood and Honey” is that it’s boring. It’s so woefully boring and uncreative. How do you have a chance like this and blow it on such a dull run of the mill slasher flick?
The Boy, The Mole, The Fox, and the Horse (2022)
“Asking for help isn’t giving up. It’s refusing to give up.”
Based on a best selling book by British author and illustrator Charles Mackesy, who co-wrote and co-directed the film version, “The Boy, The Mole, The Fox, and the Horse” is a beautiful short worthy of a young audience. It was released around the holidays in 2022, and while it does compliment the Christmas aesthetic, it works wonderfully as a genuine fable about empathy and innocence.
An Ostrich Told Me the World Is Fake and I Think I Believe It (2022)
Director Lachlan Pendragon’s “An Ostrich…” is probably one of the more inventive shorts about creating, the idea of a higher being, and what happens when our creations take on a life of their own. “An Ostrich…” utilizes interesting filmmaking mediums and a collaboration of two art forms to unfold a very self aware and entertaining meta-satire.
Ant-Man and the Wasp: Quantumania (2023)
Director Peyton Reed’s style and sensibility really matches up well with the third “Ant-Man” movie series, a franchise that’s been a lot about an underdog hero. In a world where he’s even second to Spider-Man, a fellow under dog superhero, it’s interesting to see how “Quantumania” depicts the idea of family and how dads can be all the heroes we need when all is said and done. Deep down, “Quantumania” is a movie about family, about the unconventional family unit and how it works in a world that they’re woefully unprepared for.