The Park (2023)

This is one of the first times I went in to a movie without getting what I expected, and coming out of it satisfied. “The Park” is not a movie that necessarily breaks the mold, but it works within its simplistic and small budget and cast to create something of substance. While most dystopian movies opt for “Apocalypse Porn,” Director-Writer Shal Ngo opts instead to use the end of the world as an allegory for growing up.

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Wolfman (2023) [CINEJOY 2023]

Apparently Director-Writer Kevin James Barry’s “Wolfman” is a mock trailer/short film for what is a project currently in development. If that is a fact, I will eagerly be waiting for the feature length film with baited breath. “Wolfman” has shades of “V for Vendetta,” “Machete” and “Escape from New York,” and judging by what is presented, we’re in for a balls to the wall bit of neo-grindhouse action cinema that will blow the walls off.

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The End (2023) [CINEJOY 2023]

Well if “The End” doesn’t look like material for a hilarious animated feature, I don’t know what does. “The End” is a hilarious and fun short animated film in the vein of “Looney Tunes” and “Shrek” in which the classic fairy tale is re-invented and de-constructed in to a short that’s teeming with potential for something much bigger. “The End” feels like a proof of concept for a feature length version, but if it isn’t, it works wonderfully as a clever and unique re-imagining of the classic fairy tale.

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Star Wars Kid: The Rise of the Digital Shadows (2022) [CINEJOY 2023]

To his friends he’s known as Ghyslain Raza, but if you grew up during 2003, in the infancy of the digital age, you know him as “Star Wars Kid.” What began as an innocent test with a high school project turned in to one of the most viral videos every conceived on the internet. It’s also probably the earliest incident of internet bullying ever to develop, as a young high schooler by Ghyslain Raza became the object of media scrutiny and mockery by literally everyone from the UK to America.

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Stalled (2022) [CINEJOY 2023]

I was really interested in watching Eric Rich’s “Stalled” during Slamdance 2023 but sadly didn’t have the chance. I’m glad I was able to catch up with it now, as it’s such a darkly demented and funny short film. “Stalled” watches like an episode of an anthology series where audiences will be glad they’re not the main character.

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99¢ Pizza (2022) [CINEJOY 2023]

I don’t know if Director Lucas Ansel was attempting to mimic a dream, if so, he comes damn close to the general feeling of being in one. Created with some striking stop motion animation, “99¢ Pizza” is a bizarre short but sweet thriller that works as some really trippy animated fare.

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Hunt Her, Kill Her (2023)

Directors Ryan Thiessen and Greg Swinson’s “Hunt Her, Kill Her” has a paper thin premise to work with and—well, not much is done with it, sadly. I love a good survival horror movie, but “Hunt Her, Kill Her” has a great opportunity that it sadly squanders. Despite original motivations for its central villains, Thiessen and Swinson’s film is a middle of the road woman in peril invasion thriller. It’s not a bad movie, but it never really re-invents the wheel when all is said and done. It’s not to say that a movie of this sub-genre can’t tread new ground (look at “You’re Next” and “Hush”), but the movie always seems to settle for the minimum. This keeps the movie from hitting highs.

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