Warner Bros. Pictures were wise to hire Gareth Edwards to film what is essentially a reboot of the Godzilla series for American audiences. Director Edwards displays a knack for depicting giant monsters as forces of nature that affect civilization, and he carries a lot of the sensibilities from “Monsters,” over in to the reworking of “Godzilla.” His version of “Godzilla” is less monsters stomping around and fist fighting, and more of a disaster film with a slew of human beings affected by the chaos that two monsters inflict when they rise from their gestation to feed on radiation around the world and wreak pure chaos. “Godzilla” is a sterner and dramatic approach to the lore, offering a very interesting dynamic between characters, all of whom carry through the themes of family and unity among the human race. Particularly fatherhood.
Category Archives: Movie Reviews
The Battery (2012) [Blu-ray]
After a zombie apocalypse has overtaken most of the country including New England, former baseball players Ben and Mickey have found themselves stuck together. They’re too frightened to be alone, and yet don’t like one another enough to stay together. Thus they form an uneasy pact with one another, roaming the more desolate landscape of New England looking for food, shelter, and new means to keep themselves from going absolutely stir crazy. With the rising population of the dead, and the lack of human contact, it’s becoming a task that’s increasingly difficult to conquer day by day.
Sexy Rangers (2011)
The original title for the film is “Big Boob Squad: Sexy Rangers.” Because based on the film, there’s something called Pai Energy that’s emitted from women’s “big bountiful breasts.” This somehow is the source of the power for the Sexy Rangers and their mission to fight crime and save—big boobs? I’m not sure, as I was distracted by the jiggling and colorful outfits. It’s clear that “Sexy Rangers” is a spoof of “Super Sentai,” and I was surprised to see how much fun this movie was. Even without the big boobs, it has its charms. The “Boob Squad” even has a robot sidekick named Pai 02 that has two huge eyes that resemble breasts. Somewhere Fred Olen Ray is watching from the sidelines with a proud smile a la Mr. Miyagi.
I Declare War (2014)
I guess you can make the argument that “I Declare War” is something of a variation of The Stanford Prison Experiment where we’re given a glimpse in to set roles and the extremes taken with them. Instead “I Declare War” is filled with nothing but preteens and some teenagers and presents a very deceitful set up. While it’s true the film is about a bunch of kids playing war in the woods, the film is not for all ages. It’s a very adult film, and that’s one of the reasons why I wasn’t quick to give up on it once it ran out of steam mid-way. This is how kids act. They’re violent, and swear a lot. They’re wiser than anyone thinks, they can be vulnerable, and courageous, and through and through, they have their own personal rivalries with one another that can take a turn for the disturbing.
Strongest of Lotus (2014)
Director Patcharaphon Napapornpipat’s short film about a disabled young girl finding her voice is a sweet if short slice of life that really lends credence to the idea of music changing the way we live and interact. Lalita Srisuka plays a disabled young girl whose life is filled with stares and ostracizing from people around her, including her own classmates. The only time she’s capable of escaping is when she retreats to her music, which allows her to block out reality and lose herself in the world she creates.
Water Dogs (2014)
Director Matthew Slamowitz’s short film “Water Dogs” isn’t so much about the beauty of New York, but about good luck and learning to pay that luck forward. “Water Dogs” is a compelling and very entertaining short dramedy about a homeless man who gets the chance to make a life for himself when events occur that drops everything in to place before his eyes. The trick behind this odd good luck is how he’s going to choose to use it in the long run.
Strongest of Lotus (2014)
Director Patcharaphon Napapornpipat’s short film about a disabled young girl finding her voice is a sweet if short slice of life that really lends credence to the idea of music changing the way we live and interact. Lalita Srisuka plays a disabled young girl whose life is filled with stares and ostracizing from people around her, including her own classmates. The only time she’s capable of escaping is when she retreats to her music, which allows her to block out reality and lose herself in the world she creates.



