Category Archives: Movie Reviews

Revenge of the Nerds (1984)

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I said it before, and I’ll say it again. If you’re going to rip off a movie, twist it in to something unique and almost refreshing. “Revenge of the Nerds” is my favorite “Animal House” rip off of all time. And while “Animal House” was about underdog slackers battling upper crest class men, “Revenge of the Nerds” focuses on the grade A students and outcasts that fight for their right to be treated like human beings in the face of a world that values physical prowess over basic intellect. “Revenge of the Nerds” has its charms, and though it riffs on “Animal House” every now and then, it still comes out feeling unique and original.

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The Sacrament (2014)

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It’s really tough in this day and age to come up with new insight in to the mindset of the cult. Director Ti West manages to accomplish such a feat during the narrative of “The Sacrament” where he not only explores the facade of the utopian cult that many flock to, but the inherent mind set behind the structure of the cult. “Many people come here out of desperation,” explains character Sam, thus it’s apparent why community Eden Parish is able to thrive and live for so long without being disturbed. Even though many of the leaders of these cults are conmen, on occasion they’re also desperate individuals seeking isolation and a like minded civilization they can rule, or destroy in one fell swoop.

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Stage Fright (2014)

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We’ve had horror musicals before, and rock operas aplenty, but it’s not often we get slasher musicals. “Stage Fright” is a very niche horror film, and one that runs the risk of alienating its audience, but for experimental audiences and for folks that appreciate horror comedies with an eighties twist, “Stage Fright” is an excellent and occasionally brilliant bastard child of many sub-genres, that works well as a truly memorable cocktail of madness and gore. Director Jerome Sable really creates a unique and genuinely raucous horror musical that takes “Phantom of the Opera” and builds a very refreshing revenge story from its roots.

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Mr. Jones (2013) [Blu-Ray]

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I’m not about to call “Mr. Jones” a scary horror film. It didn’t garner any chills from me, and I never really found myself on edge during it, but director Karl Mueller is able to compensate by creating a real mind fuck of an atmospheric film. Granted, the film can never decide on what kind of format it is. Is it found footage? Is it a mock documentary? Is it a straight up narrative? Is it a meta narrative? “Mr. Jones” really doesn’t seek to stick to one format when it really sinks in to the crux of its narrative. It’s an amalgam of “Resolution” and “The Blair Witch Project,” and really has a blast throwing its audience in to a spiral of nonsense.

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Paranormal Activity: The Marked Ones (2014)

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The dilemma that the writers for the “Paranormal Activity” series now find themselves in is that “Paranormal Activity 3” was a prequel that told us everything we needed to know about this mythos. We began with Katie, continued with her sister, and then found out why they were so special. The third film ended the saga. Now, the continuing sequels are really just running on fumes and scrambling to find ways to continue a story that doesn’t really need continuing. “The Marked Ones” is a great effort, but a sub-par horror film.

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Girls Against Boys (2012)

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Director Austin Chick’s “Girls Against Boys” is not just a polemic about the crime of rape and gender inequality, but is never afraid to depict men as anything but horny monsters that prey on women, when they’re not degrading them. Never has a movie been so hell bent on making men feel bad about their danglers. “Girls Against Boys” is a typical rape revenge movie, that’s also a mopey, whiny, and very homophobic thriller that can never seem to decide if it’s exploitation or melodrama. Sometimes it’s “Thelma and Louise,” sometimes it’s “I Spit on Your Grave,” and sometimes it’s “Ms. 45.” And never remotely as good as the aforementioned titles.

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Blue Ruin (2014)

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“An eye for an eye only ends up making the whole world blind.”

When we meet Dwight, he’s already defeated. He has a beard and long hair, he’s homeless, he digs through trash behind a carnival for dinner, he sneaks in to people’s houses for baths when they’re out for the day, and he sleeps in his old shelled out car on the side of the beach. One night Dwight is picked up by the police, and informed that the man that ruined his life is being released from jail after a court acquitted him. And now Dwight has made a decision that will decide the rest of his life. Director Jeremy Saulnier’s “Blue Ruin” is one of the least glamorous revenge films ever made. It’s an ingenious and brilliant look at the actual repercussions of vengeance and how it can create a ripple of unintentional consequences and violence that eventually spirals out of control.

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